Materials & Techniques: scraping / Collection: Prints and Drawings

101. The Head of Loch Fyne, with Dindarra Castle

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1850
Materials & Techniques:: Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Coast Scene with a Beached Boat

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: between 1819 and 1822
Materials & Techniques:: Watercolor, pen, and brown ink, with scraping on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 11 5/8 inches (19.4 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Landscape with Limekiln

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1809
Materials & Techniques:: Watercolor, gum, white gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Shipping off Staffa

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1842
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Richmond Hill

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1830
Materials & Techniques:: Watercolor with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 12 inches (16.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Shepherd - Evening

Creator:: Francis Oliver Finch, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and gum, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. The Castalian Spring, Delphi

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor over graphite with scraping out on thick, rough cream wove paper
Dimensions:: Sheet: 10 7/8 × 7 1/2 inches (27.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Two Gentlemen Talking to a Seated Lady

Creator:: Sir John Everett Millais, 1829–1896
Date:: undated
Materials & Techniques:: Pen and gray ink and scraping on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Landscape with Two Men and a Boat

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Frame: 17 1/2 × 21 1/2 × 3/4 inches (44.5 × 54.6 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

119. Trees in a Landscape

Creator:: Charles Reginald Aston, 1832–1908
Date:: ca. 1842 - 1980
Materials & Techniques:: Watercolor with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

120. Warwick Castle

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 17 3/4 inches (24.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

121. XIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

122. XXXI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. XLIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. XLVIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

125. Bronze by Gold

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1985 to 1987
Materials & Techniques:: Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

126. Tivoli

Creator:: Andrew Wilson, 1780–1848
Date:: 1810
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on moderately textured, cream wove paper
Dimensions:: Sheet: 29 1/2 x 46 1/2 inches (74.9 x 118.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Fishermen Hauling their Net Ashore on the Bay of Naples

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1812
Materials & Techniques:: Watercolor, gum arabic, graphite, and scraping on moderately textured, cream wove paper
Dimensions:: Sheet: 37 1/2 × 55 inches (95.3 × 139.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Christ's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1836
Materials & Techniques:: Watercolor, pen and black ink, black chalk, gouache, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. A Hero of Our Century

Creator:: Lionel Percy Smythe, 1839–1918
Date:: 1874
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

130. The Hayrick

Creator:: Myles Birket Foster, 1825–1899
Date:: 1862
Materials & Techniques:: Watercolor, gouache, graphite, and gum with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 30 7/8 × 26 3/4 inches (78.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Materials & Techniques scraping

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101. The Head of Loch Fyne, with Dindarra Castle

102. Coast Scene with a Beached Boat

103. Landscape with Limekiln

104. Shipping off Staffa

105. Richmond Hill

106. The Shepherd - Evening

107. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

108. The Castalian Spring, Delphi

109. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

110. The Three Witches from Macbeth: Double, Double, Toil and Trouble

111. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

112. The Apparition of the Armed Head: Macbeth

113. Prospero and Miranda

114. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

115. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

116. Antigonus Disposing of Perdita

117. Two Gentlemen Talking to a Seated Lady

118. Landscape with Two Men and a Boat

119. Trees in a Landscape

120. Warwick Castle

121. XIII

122. XXXI

123. XLIII

124. XLVIII

125. Bronze by Gold

126. Tivoli

127. Fishermen Hauling their Net Ashore on the Bay of Naples

128. Christ's College, Cambridge

129. A Hero of Our Century

130. The Hayrick