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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Frames
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2
Creator
Allwood, Thomas, ca. 1750–ca.1800
1
Unknown framemaker
1
Date
1725
5
1700
3
1900
3
1730
2
1770
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2
1750
1
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Classification
Frames
2
Creator Gender
male
1
Period
18th century
1
18th century-19th century
1
Materials & Techniques
gold leaf
2
original gilding
2
regilding
2
sanding (coating)
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2
wood
2
water gilding
1
Height [cm]
129
1
Width [cm]
154
1
Work Type
frame
2
Subject Terms
frame alteration: no alteration
2
frame cross-section: Cavetto, frieze and inlay
1
frame cross-section: Ogee with frieze
1
frame feature: Exceptional quality carving
1
frame feature: Frame associated with artist
1
frame feature: Oval inlay
1
frame ornament: Acanthus leaf-&-shell moulding on top edge; feather-&-dart moulding; rosette paterae in corners; ribbon-&-stave; sanded frieze; sanded spandrels with carved acanthus & bay-leaf flourishes; feather-&-dart moulding at sight
1
frame ornament: Flowered back edge; projecting pierced corner scrolling foliate-&-shell cartouches with applied rosettes; continuous foliate strapwork with enlarged leaf bud and floral sprigs on a punched ground; acanthus leaf-&-shell sight edge
1
frame status: Original
1
frame status: Probably custom-made for painting
1
frame style: Louis XIV style
1
frame style: Neoclassical
1
Credit Line
Yale Center for British Art
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Materials & Techniques
sanding (coating)
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Frames
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Date
1770
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1
Perhaps Thomas Allwood, ca. 1750–ca.1800
British, Neoclassical frame
late 18th century
2
unknown framemaker
British, Louis XIV style frame
late 18th century to early 19th century