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Collection
Prints and Drawings
3
Creator
Blake, William, 1757–1827
3
Date
1804
3
On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
3
Creator Gender
male
3
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
3
Period
19th century
3
Materials & Techniques
black ink
3
relief etching
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3
watercolor
3
wove paper
3
gold
1
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34
Work Type
drawing
3
relief print
3
watercolor
3
Genre
literary theme
3
religious and mythological subject
3
Subject Terms
literary theme
3
men
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3
nudes
3
religious and mythological subject
3
fire
2
flames
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Compass
1
arches
1
bald
1
cave
1
cavern
1
chained
1
chains
1
gown
1
hammer
1
moon
1
night
1
robe
1
sceptre
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shackles
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Exhibition History
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
3
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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relief etching
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34
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men
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1
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
3
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820