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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
11
Creator
Blake, William, 1757–1827
11
Date
1804
11
On-site Access
Accessible by appointment in the Study Room
11
Image Use
Free to Use
11
Image Available
Available
11
Classification
Prints
11
Creator Gender
male
11
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
11
Period
19th century
11
Materials & Techniques
black ink
11
relief etching
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11
watercolor
11
wove paper
11
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drawing
11
relief print
11
watercolor
11
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literary theme
11
religious and mythological subject
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Subject Terms
fire
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11
literary theme
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religious and mythological subject
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text
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men
9
flames
8
nudes
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women
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sky
3
sun
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wings
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bald
2
beard
2
clouds
2
moon
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serpent
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smoke
2
snake
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vines
2
angels
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
11
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
11
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1
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
2
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
3
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
4
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
5
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
6
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
9
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
10
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820