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Collection
Prints and Drawings
15
Creator
Stubbs, George, 1724–1806
15
Date
1795
15
On-site Access
Accessible by appointment in the Study Room
15
Image Use
Free to Use
15
Image Available
Available
15
Classification
Drawings & Watercolors
15
Creator Gender
male
15
Collective Title
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
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15
Period
18th century-19th century
15
Materials & Techniques
graphite
15
red chalk
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15
wove paper
15
black chalk
2
soft-ground etching
2
Japanese paper
1
ink
1
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Current results range from
47
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54
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Current results range from
32
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41
Work Type
drawing
15
Genre
figure study
15
Subject Terms
anatomical study
15
anatomy
15
man
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15
figure study
13
back
6
front
5
nude
4
running
4
side
4
study (visual work)
4
skeleton
3
hair
1
spine
1
Exhibition History
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment (Hall & Knight Ltd., 2000-01-20 - 2000-02-28)
1
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06)
1
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07)
1
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
15
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Materials & Techniques
red chalk
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Collective Title
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
Remove constraint Collective Title: A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
Subject Terms
man
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1
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
2
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
3
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
5
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
6
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
7
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
9
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
12
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
14
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
15
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806