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Materials & Techniques red chalk

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Giles Hussey Three studies of heads from classical figures
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
Samuel De Wilde A Lady, full length, Wearing a Blue Sash and Holding a Fan
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
Samuel De Wilde A Gentleman, full length, Holding a Paper and Pencil
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
Philippe-Jacques de Loutherbourg Corps de Garde (Barbarians Defeated by a Book)
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
unknown artist Studies of a Sleeping Lion
unknown artist
Studies of a Sleeping Lion
undated
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
John Opie Standing Classical Female Figure
John Opie, 1761–1807
Standing Classical Female Figure
undated
John Robert Cozens Ariccia
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
John Sell Cotman Fishing Vessel off Yarmouth
circle of John Sell Cotman, 1782–1842
Fishing Vessel off Yarmouth
1835
Hubert-François Gravelot Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
Malcolm Drummond Interior with a Piano
Malcolm Drummond, 1880–1945
Interior with a Piano
undated
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Four Studies of heads from classical figures
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
Giles Hussey Study of head from classical figures
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head of man with helmet
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
Giles Hussey Two studies of head from classical figure
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
Giles Hussey Four chalk studies of heads
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768