Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
202
unknown artist
Studies of a Sleeping Lion
undated
203
unknown artist
Head of a Leopard
undated
204
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
205
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
206
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
207
Paul Maze, 1887–1979
A Guards' Band
undated
208
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
209
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
210
James Ward, 1769–1859
Head of a Tiger
undated
211
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
212
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
213
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
214
unknown artist
Study of a Lion, Resting
undated
215
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
216
Peter DeWint, 1784–1849
Head of a Girl: Probably a Study of Mrs. De Wint
undated
217
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
218
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
219
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
220
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
221
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
222
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
223
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
224
Hercules Brabazon Brabazon, 1821–1906
Study of a Woman
undated
225
Henri Edmond Cross, 1856–1910
Male Nude
1894
226
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
227
Attributed to Sir Peter Lely, 1618–1680
Study for the Portrait of a Lady
undated
228
Bernard Lens III, 1682–1740
Bust of a Woman Looking upwards to left
1703
229
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
230
Archibald Rutherford, 1743–1779
Portrait of a Man
1774
231
John Michael Rysbrack, 1694–1770
Penitent Magdalene
undated
232
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
233
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
234
Hablot Knight Browne, 1815–1882
The Shyer suddenly Departs but not in Peace
undated
235
David Cox, 1783–1859
Hay Wagon and Horses
undated
236
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
237
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
238
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
239
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
240
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
241
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
242
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
243
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
244
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
245
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
246
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
247
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
248
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
249
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
250
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
251
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
252
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
253
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
254
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
255
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
256
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
257
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
258
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
259
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
260
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
261
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
262
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
263
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
264
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
265
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
266
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
267
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
268
unknown artist
Head of a Male Lion
undated
269
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
270
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
271
James Seymour, 1702–1752
Coursing - After the Kill
undated
272
Sir Thomas Lawrence, 1769–1830
A Life Drawing
ca. 1789
273
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
274
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
275
John Downman, 1750–1824
Miss Nott
1789
276
John Downman, 1750–1824
Portrait of a Lady
undated
277
John Downman, 1750–1824
Miss Campbell
1803
278
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
279
John Downman, 1750–1824
Portrait of a Lady, Facing Front
undated
280
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
281
Francis Cleyn, 1582–1658
Dido and Aeneas Sheltering in a Cave
undated
282
Gainsborough Dupont, 1754–1797
Lord John Pelham-Clinton, M.P
undated
283
unknown artist
Portrait of a Young Woman
between 1680 and 1685
284
unknown artist
Study of a Female Bust
ca. 1769
285
Richard Cosway, 1742–1821
Mrs. Cosway as the Milkmaid
undated
286
Richard Cosway, 1742–1821
Flight into Egypt
undated
287
Richard Cosway, 1742–1821
Christ Blessing Little Children
undated
288
Richard Cosway, 1742–1821
Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
undated
289
Jonathan Richardson the Elder, 1667–1745
Jonathan Richardson, Jr
undated
290
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813
291
William Hoare, 1706/7–1792/99
Young Lady with a Book
undated
292
Prince Hoare, 1755–1834
Head of a Young Girl
1780
293
Daniel Gardner, 1750–1805
Mrs. Jane Mounsey and Child
ca. 1770
294
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
295
Hubert-François Gravelot, 1699–1773
Design for a Vignette: Figure of Abundance
undated
296
Hubert-François Gravelot, 1699–1773
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
297
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Bust of a Roman Man
undated
298
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Shepherds with Flock
undated
299
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
300
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice