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Materials & Techniques red chalk
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301
- Design for a Frontispiece: Shepherds with Flock
- undated
302
- Design for an Engraving: Battle of Troy with the Trojan Horse
- undated
303
- Design for a Vignette: The King of France Surrounded by Courtiers
- undated
304
- Design for a Frontispiece: Bust of a Roman Man
- undated
305
- Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
- undated
306
- Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
- 1762
307
- Design for an Engraving: Figures in an Interior
- undated
308
- Design for a Frontispiece: Allegorical Landscape
- undated
309
- Wooded Landscape with Figures
- ca. 1788
310
- Seated Lady with Book
- undated
311
- Young Lady with a Book
- undated
312
- Head of a Woman, Study for The Bible Lesson
- ca. 1743
313
- Jonathan Richardson, Jr
- undated
314
- Dido and Aeneas Sheltering in a Cave
- undated
315
- Fishing off Hastings
- early 1810s
316
- Charles Catton, R. A
- between 1808 and 1814
317
- Fishing Vessel off Yarmouth
- 1835
318
- Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
- ca. 1813
319
- Study of a Boy
- undated
320
- Design for a Cartouche with Putto
- undated
321
- Design for a Cartouche
- undated
322
- Two Columns with a Head of a Woman and a Grotesque Head
- undated
323
- A Grotesque Mask
- undated
324
- Design for a Cartouche
- undated
325
- Design for a Cartouche with Putti
- undated
326
- Bacchus & Ariadne; Design for a Gold Box
- ca. 1730
327
- A Grotesque
- undated
328
- A Grotesque
- undated
329
- A Grotesque
- undated
330
- Design for a Cartouche with Putto
- undated
331
- Design for a Cartouche
- undated
332
- Design for a Cartouche of Cupid and Diana
- undated
333
- Design for a Cartouche
- undated
334
- Sketches of Figures
- undated
335
- Design for a Cartouche with Mythological Figures
- undated
336
- Design for a Cartouche
- undated
337
- Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
- undated
338
- Panorama Old London Bridge
- 1820s
339
- Study of a Boy Holding a Horse's Head
- undated
340
- Design for a Cartouche with Putti
- undated
341
- Design for a Cartouche
- undated
342
- Design for a Cartouche with Figures Holding Hands
- undated
343
- Study of three figures in Movement
- undated
344
- Study for Massacre of the Innocents
- undated
345
- Design for a Coat of Arms
- undated
346
- Portrait of a Gentleman (Mr. Plumer or Plumiere)
- undated
347
- Naples from Sir William Hamilton's Villa, Portici
- ca. 1783
348
- Thomas Banks, the Sculptor
- between 1808 and 1814
349
- Sir Joseph Banks
- between 1808 and 1814
350
- Joseph Farington
- between 1808 and 1814
351
- James Northcote
- between 1798 and 1819
352
- John Russell
- between 1808 and 1814
353
- John Inigo Richards
- between 1808 and 1814
354
- Thomas Hearne
- between 1808 and 1814
355
- Portrait of Dr. Latham, M. D
- between 1808 and 1814
356
- Francis Wheatley
- between 1808 and 1814
357
- Selling of Cupids
- between 1775 and 1776
358
- Portrait of Miss Lysons
- 1795
359
- Portrait of Sir William Beechey
- between 1808 and 1814
360
- Portrait of Ozias Humphrey
- between 1808 and 1814
361
- Portrait of John Hoppner
- between 1808 and 1814
362
- Interior with a Piano
- undated
363
- Ariccia
- ca. 1783
364
- William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
- ca. 1785
365
- Standing Nude Youth with Outstretched Arms
- undated
366
- Standing Male Nude with Hand on Head
- undated
367
- Head of a Young Girl
- 1780
368
- Horse Dealers
- ca. 1918
369
- Three studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
370
- Study of statue of an Egyptian man
- between 1730 and 1768
371
- Four Studies of heads from classical figures
- between 1730 and 1768
372
- Study of head from classical figures
- between 1730 and 1768
373
- Study of head from classical figure
- between 1730 and 1768
374
- Study of head from classical figure
- between 1730 and 1768
375
- Two Studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
376
- Study of head of man with helmet
- between 1730 and 1768
377
- Two studies of head from classical figure
- between 1730 and 1768
378
- Study of head from classical figure
- between 1730 and 1768
379
- Study of head from classical figure
- between 1730 and 1768
380
- Four chalk studies of heads
- between 1730 and 1768
381
- Study of head from classical figure
- between 1730 and 1768
382
- Study of head from classical figure
- between 1730 and 1768
383
- Study of head from classical figure
- between 1730 and 1768
384
- Study of head from classical figure
- between 1730 and 1768
385
- Studies of classical sculptures of Cesi Juno and Zingara
- between 1730 and 1768
386
- Study of head from classical figure
- between 1730 and 1768
387
- Study of head from classical figure
- between 1730 and 1768
388
- Study of head from classical figure
- between 1730 and 1768
389
- Study of head from classical figure
- between 1730 and 1768
390
- Study of head from classical figure
- between 1730 and 1768
391
- Sir Joshua Reynolds
- undated
392
- Studies of Seated Woman
- undated
393
- A Saxon Slave-Market
- undated
394
- The Love Match, No. 6
- undated
395
- Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
- ca. 1831
396
- Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
- ca. 1831
397
- Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
- ca. 1831
398
- Christian and Hopeful in the Castle of Giant Despair
- ca. 1831
399
- Christian, Accompanied by Discretion, Piety, Charity and Prudence
- ca. 1831
400
- Saxon Hospitality
- 1843