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Ilustration for The New Doll: Untitled
Creator:
Edward Francis Burney, 1760–1848
Date:
1825
Materials & Techniques:
Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Illustration for- The New Doll: Untitled
Creator:
Edward Francis Burney, 1760–1848
Date:
1826
Materials & Techniques:
Pen and black ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Study of a Male Nude
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 4 1/4 inches (16.8 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
Study of a Male Nude
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 4 1/4 inches (16.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
Illustration for The New Doll: How Pretty it Is
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 4 3/8 × 4 1/8 inches (11.1 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Illustration for The New Doll: Sewing Clothes for the Doll
Creator:
Edward Francis Burney, 1760–1848
Date:
1825
Materials & Techniques:
Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Studies from the Bust of Samuel Johnson
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman and Frances Carey in Memory of Diana Vincent-Daviss
Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 × 4 1/2 inches (12.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salome on Settle, The Conductor
Creator:
Aubrey Vincent Beardsley, 1872–1898
Date:
between 1892 and 1898
Materials & Techniques:
Pen and ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 4 3/8 in. (12.7 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
Constructing a Fort
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 3 1/8 × 4 1/4 inches (7.9 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for the Portrait of a Major General, possibly Arthur Wellesley, later 1st Duke of Wellington
Creator:
George Chinnery, 1774–1852
Date:
between 1802 and 1810
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ed Bucks

Ed Bucks
Creator:
Thomas Creswick, 1811–1869
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 x 4 1/8in. (6 x 10.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sailor and His Family
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection