Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
106
Edward Francis Burney, 1760–1848
Musicians
undated
107
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
undated
108
Edward Francis Burney, 1760–1848
View near Bristol
undated
109
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
110
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
111
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
112
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
113
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
114
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
115
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
116
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
117
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
118
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
119
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
120
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
121
Edward Francis Burney, 1760–1848
Mother and Children Seated on Cloud
undated
122
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
123
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
124
Edward Francis Burney, 1760–1848
The Arts
undated
125
Thomas Carwitham, active 1723
Figure studies
1723
126
Peter Casteels, 1684–1749
Feeding Ducks
undated
127
Louis Philippe Boitard, active 1734–1760
Hannah Snell - From the Life (in Male Dress)
undated
128
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
129
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
130
Sir George Clausen, 1852–1944
Study for "Propping the Rick; a Stormy Day"
ca. 1911
131
Edward Calvert, 1799–1883
A Woodland Nymph
undated
132
John Thomas Smith, 1766–1833
Studies from the Bust of Samuel Johnson
undated
133
Studio of Sir Jeffry Wyatville, 1766–1840
A House of Assembly, Quebec: Elevation
ca. 1812
134
Louis Philippe Boitard, active 1734–1760
Man Asleep leaning against a table
undated
135
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
136
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
137
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
138
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
139
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
140
unknown artist
A Carriage
1825
141
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
142
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
143
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
144
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
145
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
146
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
147
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
148
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
149
unknown artist
Grave of the Supposed William Lyndewode
1852
150
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
151
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
152
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
153
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
154
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
155
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
156
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
157
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
158
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
159
unknown artist
Peers' Entrance
undated
160
unknown artist
Survey view of a lobby, Palace of Westminster
undated
161
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
162
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
163
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
164
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
165
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
166
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
167
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
168
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
169
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
170
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
171
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
172
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
173
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
174
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
175
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
176
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
177
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
178
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
179
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
180
Aubrey Vincent Beardsley, 1872–1898
Salome on Settle, The Conductor
between 1892 and 1898
181
James Barry, 1741–1806
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
182
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
183
Colin Sorensen, active 1964–2001
Two Studies of Clare College
1964
184
Henry Scott Tuke, 1858–1929
Standing Male Nude
undated
185
Sir Muirhead Bone, 1876–1953
Spanish Ice Vendor
undated
186
Keith Vaughan, 1912–1977
The Wall at Ashton Gifford (II)
1944
187
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
188
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
189
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
190
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
191
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
192
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
193
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
194
Philip William May, 1864–1903
The Dog Cart
undated
195
Gangaram Chintaman Navgire Tambat, active 1790s
Interior View of the Great Chaitya Hall at Karla
1793
196
William Simpson, 1823–1899
Famine in India
1866
197
Philip William May, 1864–1903
Final Instructions
undated
198
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
199
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
200
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West