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Materials & Techniques pens

Period 18th century-19th century

James Pattison Cockburn Form Open Column in Rear of Right

James Pattison Cockburn, 1779–1847

Form Open Column in Rear of Right

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James Pattison Cockburn Dismounted Cavalry

James Pattison Cockburn, 1779–1847

Dismounted Cavalry

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Thomas Stothard Back of Naked Figure

Thomas Stothard, 1755–1834

Back of Naked Figure

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Edward Francis Burney River Landscape with Bridge

Edward Francis Burney, 1760–1848

River Landscape with Bridge

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Edward Francis Burney Country House

Edward Francis Burney, 1760–1848

Country House

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Edward Francis Burney Horse Cart

Edward Francis Burney, 1760–1848

Horse Cart

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Edward Francis Burney Bathampton Mill

Edward Francis Burney, 1760–1848

Bathampton Mill

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Edward Francis Burney Bathampton Mill

Edward Francis Burney, 1760–1848

Bathampton Mill

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Edward Francis Burney Richmond

Edward Francis Burney, 1760–1848

Richmond

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Edward Francis Burney Chepstow Castle

Edward Francis Burney, 1760–1848

Chepstow Castle

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Edward Francis Burney Road in the Forest

Edward Francis Burney, 1760–1848

Road in the Forest

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Edward Francis Burney Woodsman

Edward Francis Burney, 1760–1848

Woodsman

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Edward Francis Burney The Boatman

Edward Francis Burney, 1760–1848

The Boatman

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Edward Francis Burney View at Rympton

Edward Francis Burney, 1760–1848

View at Rympton

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Edward Francis Burney View of Easton Neston, Northants

Edward Francis Burney, 1760–1848

View of Easton Neston, Northants

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Charles Hamilton Smith Porch with Statuary, Easton Neston, Northants

Charles Hamilton Smith, 1776–1859

Porch with Statuary, Easton Neston, Northants

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Edward Francis Burney View in Surrey

Edward Francis Burney, 1760–1848

View in Surrey

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Charles Hamilton Smith Hall, Easton Neston, Northants

Charles Hamilton Smith, 1776–1859

Hall, Easton Neston, Northants

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Edward Francis Burney Distant View of Easton Neston, Northants

Edward Francis Burney, 1760–1848

Distant View of Easton Neston, Northants

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Edward Francis Burney View at Margate

Edward Francis Burney, 1760–1848

View at Margate

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Edward Francis Burney View near Bristol

Edward Francis Burney, 1760–1848

View near Bristol

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Edward Francis Burney River Landscape with Castle

Edward Francis Burney, 1760–1848

River Landscape with Castle

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Edward Francis Burney Watley

Edward Francis Burney, 1760–1848

Watley

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Edward Francis Burney Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard

Edward Francis Burney, 1760–1848

Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard

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Edward Francis Burney View at Margate

Edward Francis Burney, 1760–1848

View at Margate

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Edward Francis Burney Illustration for The New Doll: It's Mine, You may Look at It

Edward Francis Burney, 1760–1848

Illustration for The New Doll: It's Mine, You may Look at It

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Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso

Edward Francis Burney, 1760–1848

Telemachus and Mentor Landing on the Island of Calypso

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Edward Francis Burney Study of a Male Nude

Edward Francis Burney, 1760–1848

Study of a Male Nude

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Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso

Edward Francis Burney, 1760–1848

Telemachus and Mentor Landing on the Island of Calypso

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Edward Francis Burney Heavenly Orchestra

Edward Francis Burney, 1760–1848

Heavenly Orchestra

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Edward Francis Burney Allegory of Painting and Literature

Edward Francis Burney, 1760–1848

Allegory of Painting and Literature

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Edward Francis Burney Designs for Illustrations to Beethoven's Works

Edward Francis Burney, 1760–1848

Designs for Illustrations to Beethoven's Works

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Edward Francis Burney Female Figures and Putti Playing Musical Instruments

Edward Francis Burney, 1760–1848

Female Figures and Putti Playing Musical Instruments

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Edward Francis Burney The Arts

Edward Francis Burney, 1760–1848

The Arts

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Edward Francis Burney View near Bristol

Edward Francis Burney, 1760–1848

View near Bristol

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Edward Francis Burney Elevation of a House

Edward Francis Burney, 1760–1848

Elevation of a House

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Edward Francis Burney Musicians

Edward Francis Burney, 1760–1848

Musicians

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Edward Francis Burney Labyrinth at Walworth, Surrey

Edward Francis Burney, 1760–1848

Labyrinth at Walworth, Surrey

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Edward Francis Burney Pastural

Edward Francis Burney, 1760–1848

Pastural

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Edward Francis Burney Thatched-roof Barn

Edward Francis Burney, 1760–1848

Thatched-roof Barn

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Edward Francis Burney Illustration for The New Doll: How Pretty it Is

Edward Francis Burney, 1760–1848

Illustration for The New Doll: How Pretty it Is

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Edward Francis Burney Illustration for The New Doll: Let me Have It in my Own Hands

Edward Francis Burney, 1760–1848

Illustration for The New Doll: Let me Have It in my Own Hands

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Edward Francis Burney Designs for Illustrations to Mozart's Operas

Edward Francis Burney, 1760–1848

Designs for Illustrations to Mozart's Operas

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Edward Francis Burney Heavenly Orchestra

Edward Francis Burney, 1760–1848

Heavenly Orchestra

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Edward Francis Burney Pastoral

Edward Francis Burney, 1760–1848

Pastoral

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Edward Francis Burney Norbury Park

Edward Francis Burney, 1760–1848

Norbury Park

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Edward Francis Burney The Bridge

Edward Francis Burney, 1760–1848

The Bridge

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Edward Francis Burney Fools Planting a Tree

Edward Francis Burney, 1760–1848

Fools Planting a Tree

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Edward Francis Burney Caricature Self-Portrait

Edward Francis Burney, 1760–1848

Caricature Self-Portrait

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Edward Francis Burney Allegory of Drawing

Edward Francis Burney, 1760–1848

Allegory of Drawing

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Frederick Calvert Ryde, Isle of Wight

Frederick Calvert, ca. 1785–ca. 1845

Ryde, Isle of Wight

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Edward Francis Burney Allegory of Napoleonic Battles

Edward Francis Burney, 1760–1848

Allegory of Napoleonic Battles

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Thomas Stothard Relief Design for a Silver Salt Cellar

Thomas Stothard, 1755–1834

Relief Design for a Silver Salt Cellar

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Thomas Stothard Tree Study

Thomas Stothard, 1755–1834

Tree Study

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Thomas Stothard Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Thomas Stothard, 1755–1834

Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

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Thomas Stothard Frieze of a Medieval Wedding

Thomas Stothard, 1755–1834

Frieze of a Medieval Wedding

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Edward Francis Burney Study for the Kneeling Figure of Priscilla

Edward Francis Burney, 1760–1848

Study for the Kneeling Figure of Priscilla

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Edward Francis Burney Erato and Pan

Edward Francis Burney, 1760–1848

Erato and Pan

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Edward Francis Burney Love Vindicated (L'Amour Vinqe')

Edward Francis Burney, 1760–1848

Love Vindicated (L'Amour Vinqe')

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Edward Francis Burney Putting Arms in the Hands of Indians

Edward Francis Burney, 1760–1848

Putting Arms in the Hands of Indians

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Edward Francis Burney Pamphilia

Edward Francis Burney, 1760–1848

Pamphilia

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Edward Francis Burney Vulcan and The Gods and Goddesses

Edward Francis Burney, 1760–1848

Vulcan and The Gods and Goddesses

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Edward Francis Burney Letter with Designs for Signets (?)

Edward Francis Burney, 1760–1848

Letter with Designs for Signets (?)

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Edward Francis Burney Mowbray Park

Edward Francis Burney, 1760–1848

Mowbray Park

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Edward Francis Burney Bathing Houses at Margate

Edward Francis Burney, 1760–1848

Bathing Houses at Margate

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Edward Francis Burney Boarding the Ferry

Edward Francis Burney, 1760–1848

Boarding the Ferry

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Edward Francis Burney Hilly Landscape with House

Edward Francis Burney, 1760–1848

Hilly Landscape with House

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Edward Francis Burney Gross Study for St. Paul at Ephesus

Edward Francis Burney, 1760–1848

Gross Study for St. Paul at Ephesus

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Edward Francis Burney Six Studies of Mother and Daughter Playing

Edward Francis Burney, 1760–1848

Six Studies of Mother and Daughter Playing

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Edward Francis Burney Study for the Figure of Grammateus

Edward Francis Burney, 1760–1848

Study for the Figure of Grammateus

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Edward Francis Burney Study for the Figure of St. Paul

Edward Francis Burney, 1760–1848

Study for the Figure of St. Paul

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Edward Francis Burney Study for the Figures of Demitrius and Two Workmen

Edward Francis Burney, 1760–1848

Study for the Figures of Demitrius and Two Workmen

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Edward Francis Burney Mother and Children Seated on Cloud

Edward Francis Burney, 1760–1848

Mother and Children Seated on Cloud

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Edward Francis Burney Wedding of a God

Edward Francis Burney, 1760–1848

Wedding of a God

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Edward Francis Burney Apollo and Phaeton

Edward Francis Burney, 1760–1848

Apollo and Phaeton

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Edward Francis Burney Putting Arms in the Hands of the Indians

Edward Francis Burney, 1760–1848

Putting Arms in the Hands of the Indians

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Edward Francis Burney Putting Arms in Hands of the Indians

Edward Francis Burney, 1760–1848

Putting Arms in Hands of the Indians

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Edward Francis Burney Theatrical Scene

Edward Francis Burney, 1760–1848

Theatrical Scene

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Edward Francis Burney Pamphilia

Edward Francis Burney, 1760–1848

Pamphilia

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Edward Francis Burney Bacchanalia

Edward Francis Burney, 1760–1848

Bacchanalia

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Edward Francis Burney Bacchanalia

Edward Francis Burney, 1760–1848

Bacchanalia

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Edward Francis Burney Venus and Cupid

Edward Francis Burney, 1760–1848

Venus and Cupid

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Edward Francis Burney Design for Monument to Dyde and Scribe

Edward Francis Burney, 1760–1848

Design for Monument to Dyde and Scribe

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Edward Francis Burney Design for Commemorative Medallion for Simon Bolivar

Edward Francis Burney, 1760–1848

Design for Commemorative Medallion for Simon Bolivar

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Edward Francis Burney Female Figure carrying Water Jug on her Head

Edward Francis Burney, 1760–1848

Female Figure carrying Water Jug on her Head

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Edward Francis Burney Study of Ancient Roman Millstone (?)

Edward Francis Burney, 1760–1848

Study of Ancient Roman Millstone (?)

1827

John Carter Plan of Moldings, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

John Carter Impost and Base of Columns, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

John Carter Plan of Moldings, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

John Carter Impost moldings, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Sawrey Gilpin Two Mares with their Foals

Sawrey Gilpin, 1733–1807

Two Mares with their Foals

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Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Thomas Stothard, 1755–1834

February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

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Thomas Stothard October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Thomas Stothard, 1755–1834

October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

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Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Front and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

John Carter Half the Plan of Ceiling, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

John Carter, 1748–1817

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Thomas Stothard May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Thomas Stothard, 1755–1834

May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

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Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Thomas Stothard, 1755–1834

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

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