The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
10
attributed to Paul Sandby, 1731–1809
View in Wales
undated
11
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
12
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
13
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
14
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
15
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
16
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
18
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
19
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
20
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
21
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
22
Sir Joshua Reynolds, 1723–1792
Hooded Man Reading
undated
23
Sir Joshua Reynolds, 1723–1792
Standing Man Gesturing
undated
24
Sir Joshua Reynolds, 1723–1792
Man and Horse
undated
25
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
26
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
27
Sir Joshua Reynolds, 1723–1792
Two Adults and Child
undated
28
Sir Joshua Reynolds, 1723–1792
Bearded Man Seated
undated
29
Sir Joshua Reynolds, 1723–1792
Standing Man
undated
30
Sir Joshua Reynolds, 1723–1792
Man at Window
undated
31
Sir Joshua Reynolds, 1723–1792
Man and Two Women
undated
32
Sir Joshua Reynolds, 1723–1792
Matador
undated
33
Sir Joshua Reynolds, 1723–1792
Young Man Standing
undated
34
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
35
Sir Joshua Reynolds, 1723–1792
Man Standing with Cane
undated
36
Benjamin West, 1738–1820
A Farm near Windsor
1789
37
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
38
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
39
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
40
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
41
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
42
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
43
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
44
James Seymour, 1702–1752
Coursing - After the Kill
undated
45
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
46
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
47
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
48
Print made by John Chalon, 1738 – 1795
Study
1789-1790
49
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
50
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
51
James Seymour, 1702–1752
Rider in Armour
undated
52
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
53
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
54
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
55
Capt. Francis Grose, 1731–1791
Wellingborough out of the Angel Window, Northamptonshire
1762
56
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
57
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
58
unknown artist
Views in the Levant: Study of Man with Long-stemmed Pipe
ca. 1785
59
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
60
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
61
Thomas Rowlandson, 1756–1827
A Potter Returning from Market
ca. 1790
62
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
63
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
64
James Seymour, 1702–1752
Conqueror Going to Start
undated
65
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
66
James Seymour, 1702–1752
Foxhunting
undated
67
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
68
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
69
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
70
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
71
James Seymour, 1702–1752
Victorious
undated
72
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
73
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough