A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
15
Sir Joshua Reynolds, 1723–1792
Standing Man Gesturing
undated
16
Sir Joshua Reynolds, 1723–1792
Hooded Man Reading
undated
17
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
18
Sir Joshua Reynolds, 1723–1792
Man at Window
undated
19
Sir Joshua Reynolds, 1723–1792
Matador
undated
20
Sir Joshua Reynolds, 1723–1792
Bearded Man Seated
undated
21
Sir Joshua Reynolds, 1723–1792
Man and Two Women
undated
22
Sir Joshua Reynolds, 1723–1792
Young Man Standing
undated
23
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
24
Sir Joshua Reynolds, 1723–1792
Two Adults and Child
undated
25
Sir Joshua Reynolds, 1723–1792
Man Standing with Cane
undated
26
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
27
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
28
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
29
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
30
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
31
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
32
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
33
attributed to Paul Sandby, 1731–1809
View in Wales
undated
34
unknown artist
Views in the Levant: Study of Man with Long-stemmed Pipe
ca. 1785
35
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
36
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
37
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
38
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
39
Capt. Francis Grose, 1731–1791
Wellingborough out of the Angel Window, Northamptonshire
1762
40
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
41
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
42
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
43
James Seymour, 1702–1752
Rider in Armour
undated
44
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
45
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
46
James Seymour, 1702–1752
Conqueror Going to Start
undated
47
James Seymour, 1702–1752
Coursing - After the Kill
undated
48
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
49
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
50
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
51
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
52
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
53
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
54
James Seymour, 1702–1752
Victorious
undated
55
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
56
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
57
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
58
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
59
Thomas Rowlandson, 1756–1827
The Elopement
1792
60
Thomas Rowlandson, 1756–1827
The Maniac
1787
61
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
62
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
63
Print made by John Chalon, 1738 – 1795
Study
1789-1790
64
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
65
James Seymour, 1702–1752
Foxhunting
undated
66
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
67
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
68
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
69
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
70
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
71
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
72
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
73
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
74
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
75
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
76
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
77
Thomas Rowlandson, 1756–1827
A Man Driving a Team of Six Girls
between 1778 and 1780
78
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
79
Thomas Rowlandson, 1756–1827
A Potter Returning from Market
ca. 1790
80
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
81
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
82
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
83
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough