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Materials & Techniques pen
Remove constraint Materials & Techniques: penCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 27
Remove constraint Height [cm]: 27Search Results
1
- A Cow Lodge with a Mossy Roof
- ca. 1829
2
- Human Skeleton, Lateral View
- 1795 to 1806
3
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
4
- Abraham and Isaac
- 1799 to 1800
5
- Westminster Bridge from Lambeth Walk
- undated
6
- An Orchestra Rehearsing
- undated
7
- Castle of Ostia with Mountains in the Distance
- 1818
8
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
9
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
10
- Premiere Position pour tirer L'Epée
- 1763
11
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
12
- Position pour la Garde en Quarte
- 1763
13
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
14
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
15
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
16
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
17
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
18
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
19
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
20
- View of the Falls of Niagara
- between 1795 and 1797
21
- The Return of the Fleet to Great Yarmouth in 1797
- 1797
22
- Quatrieme Position du Salut
- 1763
23
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
24
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
25
- De la Parade Dequinte sur le Coup de Quinte
- 1763
26
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
27
- View of Plymouth taken from the Seven Trees, Exeter Road
- undated
28
- Landscape Looking Through Ruined Archway
- undated
29
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
30
- An Artist Sketching in Windsor Park
- 1789
31
- Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
- undated
32
- Design for a Cope
- undated
33
- Falls of Tivoli, From the Lowest Cavern
- 1802-1804
34
- Ruins at Capua
- 1802-1804
35
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
36
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
37
- Sketch of the Plan of the Church of Saint Wenceslas in Prague
- 1802-1804
38
- The Open-Air Preacher
- undated
39
- Scene with Horse and Rider
- undated
40
- Three Horses and Stable Lad
- undated
41
- Distant view of Llandrillo
- 1805
42
- A Street in a Country Village
- ca. 1815
43
- A Lodge at Cassiobury
- ca. 1820
44
- Cart Horse Being Led
- undated
45
- The Old Black Lion, Chelsea
- undated
46
- Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
- ca. 1733
47
- A Farmyard
- ca. 1815
48
- Lisbon from the Convent of St. Francis da Citadel
- 1774
49
- Wooded Landscape with Cattle, Figures and a House
- undated
50
- Study of a Rustic Interior Scene
- undated
51
- Cobham Hall, Kent: Elevation of Building with Design for New Roof
- ca. 1790
52
- Shadwell by the Ship Inn
- undated
53
- Cobham Hall, Kent: Elevation of Fireplace and Overmantel
- ca. 1790
54
- Fishing Boats on the Beach with Sails Drying
- undated
55
- View of London from Richmond House, Whitehall
- undated
56
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
57
- Halfway House, Sadler's Wells
- 1780
58
- Unidentified Country House: Rear Elevation
- undated
59
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
60
- Entrance to Stonehouse Creek, between Plymouth and Dock, Devon
- undated
61
- The Acacia Tree - Figures in a Park
- undated
62
- Tivoli
- ca. 1768
63
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
64
- The Tooth Drawer
- undated
65
- Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
- ca. 1785
66
- Barnes Common, June 1836
- 1836
67
- Indian Statue
- undated
68
- Variant Designs for the Somerset Monument: Elevation
- undated
69
- Cowes Castle, Isle of Wight
- undated
70
- York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground
- ca. 1809
71
- Study of Caryatides for Statue of Sir Thomas of Monro
- 1806
72
- Prince of Wales Island, Penang
- undated
73
- Cobham Hall, Kent: Chamber Floor Plan
- ca. 1790
![Mrs. P. D. H. Page Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]](https://media.collections.yale.edu/thumbnail/ycba/a863b0dc-28b6-49ad-91e4-6a74d009c7ca)
74
- Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
- undated
75
- Jumping a Double Oxer - A Rider in Difficulties
- undated
76
- Jumping a Wooden Fence
- undated
77
- Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
- undated
78
- Hind Legs and Tail of a Horse
- undated
79
- Jumping a Low Rail and a Brook
- undated
80
- Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
- undated
81
- How to Vault in the Saddle
- 1813
82
- A Horse Sale in Hopkins's Repository, Barbican
- between 1798 and 1800
83
- A Wild Boar
- 1814
84
- Study of a Hound, Running
- undated
85
- The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
- 1852
86
- An Artist's Studio
- 1814
87
- Views in the Levant: Malta
- ca. 1785
88
- Up and Over
- undated
89
- Fisherman Putting Out to Sea
- between 1800 and 1810
90
- The Mouth of the Cavern at Castleton in the Peak of Derby
- 1791
91
- Trees in a Wood
- 1807
92
- Canonteign
- 1808
93
- The Courtyard of Mr. Bank's House, Northernhay, Exeter
- 1816
94
- Group Seated in Grounds of a Large House
- between 1840 and 1849
95
- Kirkdale House, Kirkcudbright, Scotland
- ca. 1786
96
- Cow Lying Next to a Fence
- undated
97
- Skeletal Drawing, and Leg Studies, of Cattle
- undated
98
- Pont Aber Glaslyn
- 1785
99
- Full Cry
- undated
![Mrs. P. D. H. Page Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]](https://media.collections.yale.edu/thumbnail/ycba/37bcc74b-a2aa-4811-85ad-82b9245eb371)
100
- Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
- undated