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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
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13
Creator
CUNDY, Thomas, 1790–1867
7
Diston, Alfred, active 1818–1829
1
Harding, James Duffield, 1798–1863
1
Henderson, E. M., active 1815–1830
1
Lear, Edward, 1812–1888
1
Robins, Thomas S., 1814–1880
1
Unknown artist
1
Wilkie, David, Sir, 1785–1841
1
Date
1867
316
1772
220
1832
168
1800
147
1785
127
1700
109
1758
99
1771
91
1802
86
1804
80
1775
73
1789
70
1780
68
1795
68
1790
66
1763
62
1827
58
1738
53
1817
49
1762
48
1768
47
1791
47
1745
45
1839
45
1818
42
1777
41
1820
41
0
38
1786
38
1825
38
1717
36
1781
35
1805
35
1749
32
1765
32
1810
31
1748
30
1740
29
1751
25
1797
25
1801
25
1821
25
1798
24
1812
24
1857
24
1861
24
1826
23
1794
22
1799
21
1761
20
1770
20
1779
20
1814
20
1830
20
1778
19
1788
19
1806
19
1875
19
1690
18
1712
17
1746
17
1760
17
1792
17
1807
17
1815
17
1715
16
1747
16
1755
16
1759
16
1783
16
1752
15
1796
15
1816
15
1822
15
1834
15
1739
14
1750
14
1764
14
1784
14
1813
14
1756
13
1787
13
1829
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13
1863
13
1811
12
1866
12
1730
11
1732
11
1803
11
1809
11
1819
11
1823
11
1835
11
1842
11
1906
11
1932
11
1757
10
1782
10
1854
10
1705
9
On-site Access
Accessible by appointment in the Study Room
13
Image Use
Free to Use
12
Under Certain Circumstances
1
Image Available
Available
13
Classification
Drawing & Watercolors-Architectural
7
Drawings & Watercolors
6
Creator Gender
male
13
unknown
1
Period
19th century
13
Materials & Techniques
pen
[remove]
13
wove paper
11
watercolor
10
brown ink
9
graphite
8
black ink
6
red ink
5
gouache
2
gray ink
2
gray wash
2
black wash
1
brown wash
1
laid paper
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
16
to
66
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
22
to
65
Work Type
drawing
12
watercolor
4
Genre
architectural subject
8
marine art
3
landscape
2
portrait
2
genre subject
1
Subject Terms
architectural subject
8
design
7
house
7
Plan
3
landscape
2
marine art
2
portrait
2
rocks (landforms)
2
Grand Tour
1
beach
1
boat
1
boats
1
boots
1
boy
1
bridge (built work)
1
buildings
1
chains
1
child
1
chimney (architectural element)
1
clouds
1
more
Subject Terms
»
Associated Places
England
9
Europe
9
United Kingdom
9
London
7
Canarias
1
Devon
1
Devonport
1
España
1
France
1
Norfolk
1
Plymouth
1
Santa Cruz de Tenerife
1
Tenerife
1
Yarmouth
1
Exhibition History
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
1
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
12
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
1
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Materials & Techniques
pen
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Prints and Drawings
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1829
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1
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
2
Thomas Sewell Robins, 1814–1880
Mutton Cove, Plymouth
undated
3
James Duffield Harding, 1798–1863
French Coast Scene with Fisherboy
1829
4
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1829
5
unknown artist
Study of a Woman in a Wide-Brimmed Hat
undated
6
E. M. Henderson, active 1815–1830
Yarmouth Bridge, Aug. 1829
1829
7
Alfred Diston, active 1818–1829
The Peake of Tenerife
1829
8
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1829
9
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1829
10
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1829
11
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1829
12
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1829
13
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1829