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Collection
Paintings and Sculpture
2
Creator
Clint, George, 1770–1854
1
Harlow, George Henry, 1787–1819
1
Date
1740
3
1766
3
1786
3
1745
2
1747
2
1759
2
1765
2
1770
2
1771
2
1785
2
1817
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2
1835
2
1915
2
1584
1
1636
1
1744
1
1753
1
1754
1
1756
1
1758
1
1760
1
1763
1
1767
1
1775
1
1794
1
1795
1
1796
1
1809
1
1812
1
1814
1
1819
1
1825
1
1829
1
1832
1
1838
1
1855
1
1862
1
1865
1
1869
1
1880
1
1897
1
1914
1
1917
1
1951
1
1976
1
1997
1
2000
1
On-site Access
Not on view
2
Image Use
Free to Use
2
Image Available
Available
2
Classification
Paintings
2
Creator Gender
male
2
Period
19th century
2
Materials & Techniques
oil paint
2
painting (technique)
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2
panel (wood)
2
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45
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66
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54
Work Type
painting
2
Genre
portrait
2
Subject Terms
chair
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2
portrait
2
Swiss
1
artist
1
costume
1
dress
1
fan
1
glove
1
interior
1
man
1
play
1
pose
1
red
1
standing
1
theater (discipline)
1
white (color)
1
woman
1
Associated People
Fuseli, Henry (1741–1825), painter and writer
1
Smithson [married name Berlioz], Harriet Constance (1800–1854), actress
1
Exhibition History
' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20)
1
Füseli and the Power of Dreams (Musée Jacquemart-André, 2022-09-16 - 2023-01-23)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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Date
1817
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chair
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1
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
2
George Clint, 1770–1854
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view