<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques oil paint

Remove constraint Materials & Techniques: oil paint

Height [cm] 39

Remove constraint Height [cm]: 39

Search Results

John Constable Osmington Village
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
John Constable Study of an Ash Tree
John Constable, 1776–1837
Study of an Ash Tree
between 1801 and 1803 or between 1810 and 1830
Not on view
George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
Edward Lear Zagori, Greece
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
Bryan Wynter Two Menhirs
Bryan Wynter, 1915–1975
Two Menhirs
ca. 1950
Not on view
Richard Banks Harraden Procession of Boats on the River Cam below Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
George Richmond Self-Portrait
George Richmond, 1809–1896
Self-Portrait
ca. 1830s
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
Lionel Edwards Taking out the Hounds
Lionel Edwards, 1878–1966
Taking out the Hounds
undated
Not on view
George Vincent A Harbor Scene in the Isle of Wight, Looking Towards the Needles
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
Lionel Constable Study of an Ash Tree
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
Lionel Constable Landscape with Wheatfield
Lionel Constable, 1828–1887
Landscape with Wheatfield
ca. 1850s
Not on view
William Watson Peploe Portrait of a Young Man with Long Hair
William Watson Peploe, 1869–1933
Portrait of a Young Man with Long Hair
ca. 1915
Not on view
Norman Black Brick Wall
Norman Black, 1920–1999
Brick Wall
undated
Not on view
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
John Tunnard Smoking Hill
John Tunnard, 1900–1971
Smoking Hill
1949
Gainsborough Dupont Landscape: Three cows in center foreground
Gainsborough Dupont, 1754–1797
Landscape: Three cows in center foreground
undated
Gainsborough Dupont Landscape: Cow in left foreground
Gainsborough Dupont, 1754–1797
Landscape: Cow in left foreground
undated