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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
36
Creator
Constable, John, 1776–1837
19
Lucas, David, 1802–1881
19
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Davison, William, active 1813–1843
5
Cousins, Samuel, 1801–1887
4
Lawrence, Thomas, Sir, 1769–1830
3
Nasmyth, Alexander, 1758–1840
2
Quilley, J. P., active 1828
2
Walker, William, 1791–1867
2
Collins, William, 1788–1847
1
Dubufe, Claude-Marie, 1790–1864
1
Goupil,, 1827–1919
1
Lewis, Frederick Christian the Elder, 1779–1856
1
Linnell, James Thomas, 1826–1905
1
Lupton, Thomas Goff, 1791–1873
1
Maile, George, active 1824–1840
1
McLean, Thomas, 1788–1875
1
Owen, William, 1769–1825
1
Phillips, George Henry, active 1819–1825
1
The, Fine Art Society
1
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Creator
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Date
1674
84
1667
67
1780
61
1779
56
1823
53
1811
51
1812
51
1675
50
1770
49
1771
49
1755
48
1777
45
1680
44
1769
43
1778
42
1719
41
1776
40
1772
39
1788
39
1690
38
1754
38
1781
38
1786
38
1896
37
1830
[remove]
36
1700
35
1774
34
1775
34
1828
34
1808
33
1816
33
1796
32
1807
31
1831
31
1782
30
1784
30
1762
29
1765
29
1773
29
1750
28
1767
28
1795
26
1800
26
1783
25
1760
24
1764
23
1785
23
1813
23
1819
23
1789
22
1790
22
1799
22
1820
22
1746
21
1768
21
1787
21
1794
21
1827
21
1710
20
1791
20
1793
19
1809
19
1825
19
1679
18
1758
18
1798
18
1824
18
1797
17
1717
16
1729
16
1761
16
1766
16
1801
16
1803
16
1806
16
1683
15
1751
15
1757
15
1802
15
1810
15
1756
14
1805
14
1826
14
1681
13
1817
13
1759
12
1792
12
1804
12
1814
11
1836
11
1682
10
1695
10
1731
10
1744
10
1763
10
1815
10
1818
10
1829
10
1833
10
1737
9
On-site Access
Accessible by appointment in the Study Room
36
Image Use
Free to Use
36
Image Available
Available
26
Unavailable
10
Classification
Prints
36
Creator Gender
male
36
Collective Title
English Landscape
8
English Landscape: Various Subjects of Landscape, Characteristic of English Scenery, from Pictures Painted by John Constable, R.A.
7
Period
19th century
36
Materials & Techniques
mezzotint
[remove]
36
wove paper
16
laid paper
15
drypoint
6
chine collé
4
graphite
4
white chalk
3
progressive proofs
2
etching (printing process)
1
line engraving
1
scraping out
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
87
Unknown
1
Work Type
intaglio print
[remove]
36
Genre
landscape
22
marine art
7
portrait
7
literary theme
3
military art
3
animal art
1
architectural subject
1
genre subject
1
historical subject
1
Subject Terms
landscape
5
trees
4
bridge (built work)
3
castle
3
clouds
3
portrait
3
ruins
3
stream
3
autumn
2
cattle
2
coat
2
rain
2
arches
1
architectural subject
1
artist
1
cliff
1
cravat
1
dog (animal)
1
grasses
1
man
1
more
Subject Terms
»
Associated Places
England
19
Europe
19
United Kingdom
16
Essex
7
Suffolk
5
Dedham
4
Great Britain
3
Hadleigh Castle
3
Dorset
2
Dorsetshire
2
Greater London
2
Hampstead
2
Helmingham
2
Weymouth
2
Brighton
1
East Bergholt
1
East Sussex
1
Flatford
1
Ipswich
1
Leigh-on-Sea
1
more
Associated Places
»
Associated People
Burns, Robert (1759–1796), poet
1
Cooper, Sir Astley Paston, first baronet (1768–1841), surgeon
1
Lawrence, Sir Thomas (1769–1830), painter and draughtsman
1
Exhibition History
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
3
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Voices of Scotland (The Grolier Club, 1992-12-17 - 1993-02-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)
6
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, University Purchase
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of Mr. J. Richardson Dilworth
1
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Materials & Techniques
mezzotint
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Date
1830
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Work Type
intaglio print
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1
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
2
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
3
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
4
Print made by David Lucas, 1802–1881
View on the River Stour
1830
5
Charles Turner, 1774–1857
Vice-Admiral Sir Edward Codrington, GCB
1830
6
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
7
Print made by David Lucas, 1802–1881
View on the Orwell
1830
8
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
9
Print made by David Lucas, 1802–1881
A Mill
1830
10
Print made by David Lucas, 1802–1881
A Mill
1830
11
Print made by Thomas Goff Lupton, 1791–1873
Folkestone
1830
12
Print made by David Lucas, 1802–1881
Weymouth Bay, Dorsetshire
1830
13
Print made by David Lucas, 1802–1881
Noon
1830
14
Print made by David Lucas, 1802–1881
Stoke by Neyland, Suffolk
1830
15
Print made by David Lucas, 1802–1881
A Seabeach
1830
16
Print made by David Lucas, 1802–1881
Old Sarum
1830
17
Print made by David Lucas, 1802–1881
A Mill
1830
18
Print made by David Lucas, 1802–1881
Weymouth Bay, Dorsetshire
1830
19
Print made by David Lucas, 1802–1881
Hadleigh Castle
1830 to 1832
20
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
21
George H. Phillips, active 1819–1825
Sir Christopher Cole
1830
22
Print made by George Maile, active 1824–1840
A French Lady
1830
23
Print made by David Lucas, 1802–1881
Noon
1830
24
Print made by David Lucas, 1802–1881
A Mill
1830
25
Samuel Cousins, 1801–1887
Sir Astley Cooper, Bart
1830
26
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
27
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
28
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
29
Print made by Frederick Christian Lewis the Elder, 1779–1856
Field of Waterloo
1830
30
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
31
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
32
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
33
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
34
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
35
James Thomas Linnell, 1826–1905
Two Children Feeding Rabbits in a Farmyard
1830s
36
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830