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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
20
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
18
Dawe, Henry E., 1790–1848
5
Lupton, Thomas Goff, 1791–1873
3
Turner, Charles, 1774–1857
3
Cousins, Samuel, 1801–1887
2
Hodgetts, Thomas, active 1801–1846
2
Reynolds, Joshua, Sir, 1723–1792
2
Say, William, 1768–1834
2
Date
1811
31
1808
24
1812
22
1816
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20
1896
13
1807
12
1819
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1813
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1809
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1755
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1786
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1771
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1788
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1818
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1891
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1717
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1719
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1761
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1770
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1778
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1787
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1815
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1920
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1766
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1773
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1790
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1793
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1804
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1810
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1823
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1887
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1897
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1902
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1664
1
1670
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1674
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1678
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1856
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1918
1
On-site Access
Accessible by appointment in the Study Room
20
Image Use
Free to Use
20
Image Available
Available
18
Unavailable
2
Classification
Prints
20
Creator Gender
male
20
Collective Title
Liber Studiorum
18
Period
19th century
20
Materials & Techniques
mezzotint
[remove]
20
brown ink
18
etching (printing process)
18
laid paper
18
chine collé
2
wove paper
2
proof before letters
1
Height [cm]
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18
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62
Width [cm]
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Current results range from
22
to
47
Work Type
intaglio print
20
Genre
landscape
18
architectural subject
9
portrait
2
religious and mythological subject
2
cityscape
1
marine art
1
Subject Terms
abbey
2
bridge
2
death
2
landscape (representation)
2
mourning
2
plague
2
religious and mythological subject
2
river
2
stairs
2
Old Testament
1
branches
1
child
1
city
1
cityscape
1
family
1
foliage
1
hill
1
landscape
1
lightning
1
path
1
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Subject Terms
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Associated Places
Alps
2
Arve
2
Bonneville
2
Dunblane
2
Dunblane Cathedral
2
France
2
Scotland
2
United Kingdom
2
Africa
1
Egypt
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
Yale Center for British Art, Paul Mellon Fund
2
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Materials & Techniques
mezzotint
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Date
1816
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Width [cm]
29
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1
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
12
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
14
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
17
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
18
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
19
Print made by Samuel Cousins, 1801–1887
Mrs. Braddyll
undated
20
Print made by Samuel Cousins, 1801–1887
Mrs. Braddyll
undated