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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
35
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
23
Turner, Charles, 1774–1857
8
Dawe, Henry E., 1790–1848
6
Say, William, 1768–1834
4
Cousins, Samuel, 1801–1887
3
Lupton, Thomas Goff, 1791–1873
3
Reynolds, Joshua, Sir, 1723–1792
3
Beechey, William, Sir, 1753–1839
2
Hodgetts, Thomas, active 1801–1846
2
Young, John, 1755–1825
2
Barber, Thomas, 1771–1843
1
Bauzil, Juan, Spanish, 1766 - 1820
1
Dawe, George, 1781–1829
1
Harlow, George Henry, 1787–1819
1
Hogarth, William, 1697–1764
1
Lewis, Frederick Christian the Elder, 1779–1856
1
Richter, Henry, 1772–1857
1
Shee, Martin Archer, Sir, 1769–1850
1
Date
1811
53
1823
53
1812
52
1808
37
1896
37
1830
36
1816
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35
1828
34
1807
33
1831
31
1813
26
1819
24
1801
23
1820
23
1800
22
1809
22
1810
22
1803
21
1805
21
1827
21
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20
1806
19
1824
19
1804
16
1802
15
1814
14
1817
14
1826
14
1818
11
1829
11
1833
11
1836
11
1815
10
1835
8
1821
7
1832
7
1834
7
1845
6
1891
6
1837
5
1838
5
1844
5
1822
4
1839
4
1843
4
1856
4
1880
4
1889
4
1897
4
1840
3
1851
3
1860
3
1883
3
0
2
1799
2
1847
2
1849
2
1862
2
1864
2
1866
2
1885
2
1886
2
1887
2
1888
2
1895
2
1898
2
1792
1
1795
1
1797
1
1842
1
1848
1
1850
1
1852
1
1857
1
1858
1
1859
1
1861
1
1867
1
1868
1
1870
1
1873
1
1875
1
1878
1
1879
1
1884
1
1893
1
On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
29
Unavailable
6
Classification
Prints
35
Creator Gender
male
35
Collective Title
Liber Studiorum
23
Iconographie Anglaise par Reynolds et Autres
1
Period
19th century
[remove]
35
Materials & Techniques
mezzotint
[remove]
35
laid paper
28
brown ink
23
etching (printing process)
23
wove paper
3
chine collé
2
progressive proofs
1
proof before letters
1
Height [cm]
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73
Unknown
1
Width [cm]
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71
Unknown
1
Work Type
intaglio print
33
Genre
landscape
20
architectural subject
11
portrait
7
marine art
4
military art
3
religious and mythological subject
3
cityscape
1
genre subject
1
historical subject
1
Subject Terms
bridge
3
channel (water body component)
3
landscape (representation)
3
marine art
3
religious and mythological subject
3
river
3
abbey
2
death
2
mourning
2
plague
2
portrait
2
stairs
2
woman
2
Old Testament
1
bed
1
bow
1
boy
1
branches
1
candle
1
canopy
1
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Subject Terms
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Associated Places
France
6
Alps
3
Arve
3
Bonneville
3
Calais
3
Dover, Strait of
3
English Channel
3
Dunblane
2
Dunblane Cathedral
2
Scotland
2
United Kingdom
2
Africa
1
Egypt
1
Associated People
Cupid
1
Psyche
1
Shakespeare, William (1564–1616), playwright and poet
1
Sumner, Charles Richard (1790–1874), bishop of Winchester
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
27
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Materials & Techniques
mezzotint
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Date
1816
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Period
19th century
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1
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
16
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
20
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
22
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
23
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
24
John Young, 1755–1825
Christ giving sight to the blind
1816
25
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
26
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
27
William Say, 1768–1834
Mrs. Litchfield
1816
28
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
29
Print made by William Say, 1768–1834
Cupid and Psyche
1816
30
Charles Turner, 1774–1857
John, Earl of St. Vincent
1816
31
Frederick Christian Lewis the Elder, 1779–1856
Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II
1816
32
Print made by Samuel Cousins, 1801–1887
Mrs. Braddyll
undated
33
Print made by Samuel Cousins, 1801–1887
Mrs. Braddyll
undated
34
Print made by Charles Turner, 1774–1857
Thomas William Coke Esq, MP for Norfolk
1816
35
Engraved by Samuel Cousins, 1801–1887
The Right Reverend Charles Richard Sumner
between 1816 and 1850