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Collection
Prints and Drawings
2
Creator
Breda, Carl Frederick van, 1759–1818
1
Opie, John, 1761–1807
1
Pyott, W., active late 18th century
1
Townley, Charles, 1746–c.1800
1
Date
1767
12
1772
4
1769
3
1771
3
1777
3
1778
3
1784
3
1794
3
1960
3
1682
2
1701
2
1754
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1758
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1760
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1765
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1776
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1783
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1791
2
1792
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2
1793
2
1802
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1829
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1830
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1643
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1664
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1699
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1700
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1717
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1735
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1739
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1761
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1766
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1768
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1779
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1800
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1803
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1827
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1831
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1883
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1889
1
On-site Access
Accessible in the Study Room
2
Image Use
Free to Use
2
Image Available
Available
2
Classification
Prints
2
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
mezzotint
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2
wove paper
1
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61
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51
Work Type
intaglio print
1
Genre
genre subject
1
portrait
1
Subject Terms
book
1
emancipation
1
genre subject
1
hut
1
jewelry
1
map
1
men
1
palm trees
1
portrait
1
slavery
1
Associated People
Carl Bernhard Wadström (1746–1799), abolitionist
1
Panah, Peter, son of the king of Cape Mesurado (in present-day Liberia)
1
Exhibition History
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Gift of Herman W. Liebert
1
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Materials & Techniques
mezzotint
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Date
1792
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Height [cm]
43
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1
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
2
Charles Townley, 1746–c.1800
Dr. Samuel Johnson
1792