Materials & Techniques: lithography / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 28

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Materials & Techniques lithography

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 28

Print made by Charles J. Hullmandel, 1789–1850

English Setter and Russian Pointer

1820

Print made by Charles J. Hullmandel, 1789–1850

Esquimaux

1820

Print made by Charles J. Hullmandel, 1789–1850

Newfoundland

1820

Print made by Charles J. Hullmandel, 1789–1850

Siberian

1820

Print made by Richard Parkes Bonington, 1802–1828

Le Repos

1826

Print made by Henry Richard Greville third Earl of Warwick, 1779–1853

Landscape with Old Trees by Water

1803, published 1807

Print made by William Havell, 1782–1857

Landscape with Trees, Girl Crossing Footbridge

1804, published 1807

Print made by William Havell, 1782–1857

Study of Trees and Shrubs with Seated Figure

1804, published 1806

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by Robert Smirke, 1752–1845

Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation

undated

James Duffield Harding, 1798–1863

Cascades de Thiers, Auvergne

undated

Louis Haghe, 1806–1885

Newstead Abbey, The Seat of the Late Lord Byron

undated

Print made by Rose Joseph Lemercier, 1803–1887

La Conversation

1826

Print made by Richard Parkes Bonington, 1802–1828

Le Retour

1826

Print made by Charles J. Hullmandel, 1789–1850

Cheshire Mastiff

1820

Print made by Charles J. Hullmandel, 1789–1850

Savoyard Shepherd's Dog

1820

Print made by M. Gauci, 1810–1846

The Destruction by Fire of the Houses of Parliament

after 1834

Print made by William Fairland, active 1828–1835

Sir Anthony Van Dyke

1828

Print made by William Drummond, active 1800–1850

James Burton

1836

Print made by Charles Baugniet, 1814–1886

Daniel Maclise

1857