Materials & Techniques: line engraving - YCBA Collections Search Search Results

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

Print made by John Carter, 1748–1817

Plate XIX: St Stephen's Chapel

1811

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by John Le Keux, 1783–1846

Compartment on One Side, St Stephen's Chapel

1825

Print made by James Basire, 1730–1802

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Print made by Henry Melville, active 1826–1841

The House of Commons

1834

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by William Faithorne, ca. 1620–1691

Portrait of Francis Moore

ca. 1663

Print made by John Woods, active 1836–1860

Interior of the Star Chamber, Westminster

1848

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Print made by Charles Grignion, 1717–1810

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

Print made by unknown artist

View of the Higher House of Parliament in England

ca. 1695

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by unknown artist

Chairs to Mend

1812

Print made by Robert Cooper, active ca. 1800–1836

Mr. Wilkinson as Michael in Free & Easy

1822

Print made by Henry Lemon, 1823–1882

Saturday Night

ca. 1850

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by James Caldwall, 1739–1819

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

Print made by unknown artist

Edward Duke of Kent, Father of Her Majesty Queen Victoria

after 1837

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Charles Robert Cockerell, 1788–1863

The Temple of Venus in the Port at Aegina: Elevations

1811

Francesco Bartolozzi, 1728–1815

Transitium S. Joseph

Print made by James Dobie, 1849–1911

Horae Serenae

1896

Print made by James Mason, 1710–1783

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

1778

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Havre

1834

unknown artist

Westminster Hall

ca. 1820

unknown artist

A view of the inside of Westminster Hall

ca. 1700

Print made by John Carter, 1748–1817

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

unknown artist

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

unknown artist

View of the Office of Ordnance with the Entrance of the House of Lords

undated

Print made by unknown artist

Exterior & Interior Views of the Painted Chamber & Old House of Lords

1823

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by unknown artist

Plate I. Memorials of the Commissioners for Improving Westminster, 1811

1811

Print made by unknown artist

Entrance of the House of Lords with the Office of Ordnance

undated

John Goldar, 1729–1795

The Sacrifice

1767

Print made by Thomas Prattent, active 1780–1810

The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

1796

Print made by unknown artist

Hyder Ally Cawn

1793

Print made by Thomas A. Woolnoth, 1785–1857

Plate III: Crypt under St Stephen's Chapel

ca. 1836

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by Edward Francis Finden, 1791–1857

Ancient Temple at Kunkhul

ca. 1840

Print made by John Russell, 1745–1806

Lunar Planisphere, Flat Light

1805

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

between 1546 and 1590

Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

between 1546 and 1590

Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

between 1546 and 1590

Published by Giovanni Giacomo de Rossi, 1627–1691

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

between 1546 and 1590

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

Print made by Gerard de Jode, born 1509 or 1517, died 1591

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

between 1546 and 1590