Materials & Techniques: line engraving / Image Use: Free to Use / Subject Terms: house

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by George Murray, died 1822

Bath

1795

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by Thomas Rothwell, ca. 1742–1807

Windsor

1795

Print made by George Murray, died 1822

Tunbridge

1795

Print made by Thomas Tagg, died 1809

Bristol

1796

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Samuel Buck, 1696–1779

The Southwest view of Hertsmonceux Castle in the County of Sussex

1737

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810