Materials & Techniques: line engraving / Width [cm]: 41 - YCBA Collections Search Search Results

1. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 20 1/8 inches (45.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

2. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 inches (49.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Four Times of Day, Plate IV: Night

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 16 inches (49.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Rake's Progress, Plate 2: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Rake's Progress, Plate 3: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Rake's Progress, Plate 4: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/4 inches (35.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Rake's Progress, Plate 1: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Rake's Progress, Plate 6: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Rake's Progress, Plate 5: He Marries

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Rake's Progress, Plate 7: In Fleet Street Prison

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Rake's Progress, Plate 8: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 inches (35.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Lunar Planisphere, Flat Light

Creator:: Print made by John Russell, 1745–1806
Date:: 1805
Materials & Techniques:: Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 18 3/4 inches (50.2 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Captain Thomas Coram

Creator:: Print made by William Nutter, 1754–1802
Date:: 1796
Materials & Techniques:: Engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 25 1/8 × 19 3/16 inches (63.8 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

14. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 2nd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Whitstable, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; early state, engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1823
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, crean wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 1/8 inches (29.8 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Part of the Ghaut at Hurdwar

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Four Times of Day, Plate III: Evening

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1738
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 16 1/8 inches (49.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Pont-Neuf, Paris

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Mary Stuart, Princess of Orange

Creator:: Print made by Ludwig von Siegen, 1609–c.1680
Date:: 1643
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 3/8 inches (54 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. William II, Prince of Orange

Creator:: Print made by Ludwig von Siegen, 1609–c.1680
Date:: 1644
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Christ Church from the Meadows

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: between 1820 and 1823
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. North East View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

Creator:: Print made by unknown artist
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Montjen

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; finished engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

Creator:: William Nutter, 1754–1802
Date:: 1789
Materials & Techniques:: Stipple engraving, etching, and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 22 1/16 x 16 1/4 inches (56.1 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. William Esdaile

Creator:: Print made by Robert Graves, 1798–1873
Date:: 1826
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 16 1/4 inches (51.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slighty textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hardraw Fall

Creator:: Print engraved by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 16 1/4 inches (27.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jericho

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Château Gaillard, from the East

Creator:: Print made by John Smith, 1799–1843
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on Moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View taken near Battersea Church looking towards Chelsea

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on moderately textured, moderately thick, white laid paper
Dimensions:: Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Methodist Tailor Caught in Adultery

Creator:: Print made by unknown artist
Date:: 1768
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/8 x 16 1/16 inches (28.2 x 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. George Lord Anson

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1751
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 9 5/8 x 16in. (24.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

65. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Night

Creator:: Print made by John Boydell, 1720–1804
Date:: 1756
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Venice, the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 inches (54 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sleeping Boy

Creator:: John Summerfield, active 1817?
Date:: 1812
Materials & Techniques:: Line gnraving and stiplle engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 16 5/16 inches (32.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderatly thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/8 inches (27 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Graville

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Château de Tancarville with Town of Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Havre, Tower of Francis I

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. La Chaise de Gargantua near Duclair

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

Creator:: Print made by Jean B. Michel, active 1803
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Divo Antonino et Divae Faustinae

Creator:: Print made by unknown artist
Date:: 1565
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/8 inches (54.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Iani Quadrifrontis Templum in Foro Boario

Creator:: Print made by unknown artist
Date:: 1564
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 16 inches (55.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Fetcham Park

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and engraving with chine-collé; first published state on moderately textured, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 20 7/8 inches (28.9 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Rhine - Osterspey and Feltzen

Creator:: Print made by William Miller, 1796–1882
Date:: 1838-1852
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 20 inches (38.4 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Rhine - Osterspey and Feltzen

Creator:: Print made by William Miller, 1796–1882
Date:: 1838-1852
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 19 5/8 inches (37.5 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Venice, the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 16 inches (54.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Ships in Distress

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1796
Materials & Techniques:: Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Richard III: Act IV, Scene III, Tower of London

Creator:: Print made by William Skelton, 1763–1848
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Portrait of Caravaggio

Creator:: Henry Simon Thomassin, 1687–1741
Date:: between 1710 and 1741
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 16 1/16 inches (54.9 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of James A. Bergquist

87. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: 1778
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Rake's Progress, Plate 8: In Bedlam

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 3/4 inches (43.5 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

89. West Front View of Eaton Hall

Creator:: Print made by J. Rogers, active ca.1825–ca.1842
Date:: 1840
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

90. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Width [cm] 41

Search Results

1. The Enraged Musician

2. The Four Times of Day, Plate II: Noon

3. The Four Times of Day, Plate IV: Night

4. A Rake's Progress, Plate 2: His Levee

5. A Rake's Progress, Plate 3: He Revels

6. A Rake's Progress, Plate 4: Goes to Court

7. A Rake's Progress, Plate 1: He Takes Possession

8. A Rake's Progress, Plate 6: He Gambles

9. A Rake's Progress, Plate 5: He Marries

10. A Rake's Progress, Plate 7: In Fleet Street Prison

11. A Rake's Progress, Plate 8: In Bedlam

12. Lunar Planisphere, Flat Light

13. Captain Thomas Coram

14. Poole, Dorsetshire

15. Coombe-Martin, Devonshire

16. Whitstable, Kent

17. Bridge at Narni

18. The Observatory at Rosehill, Sussex

19. Brignall Church

20. Wycliffe, near Rokeby

21. Merrick Abbey, Swaledale

22. Simmer Lake, near Askrig

23. St. Germains

24. "It's Auld Ailie Hersell"

25. Valley of the Brook Kedron

26. Part of the Ghaut at Hurdwar

27. The Four Times of Day, Plate III: Evening

28. Amboise

29. Pont-Neuf, Paris

30. Beaugency

31. Mary Stuart, Princess of Orange

32. William II, Prince of Orange

33. Christ Church from the Meadows

34. North East View of Dunster Castle, Somersetshire

35. St. Michael's Mount, Cornwall

36. The Mew Stone at the Entrance of Plymouth Sound

37. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

38. Okehampton Castle on the River Okement

39. Mount Moriah

40. St. Germain-en-Laye

41. Blois

42. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

43. Montjen

44. Harfleur

45. Between Quilleboeuf and Villequier

46. Mantes

47. Caudebec

48. Assos

49. Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

50. William Esdaile

51. Nazareth

52. Château de la Mailleraie

53. Quilleboeuf

54. Milan

55. Marly

56. Havre

57. Hardraw Fall

58. Jericho

59. Lebanon from Tripoli

60. Château Gaillard, from the East

61. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

62. A View taken near Battersea Church looking towards Chelsea

63. The Methodist Tailor Caught in Adultery

64. George Lord Anson

65. Evening

66. Night

67. Morning

68. Venice, the Piazzetta

69. Sleeping Boy

70. Orleans

71. Graville

72. Harfleur

73. Château de Tancarville with Town of Quilleboeuf

74. Havre, Tower of Francis I