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William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
William Hogarth Plate 1, The Fellow 'Prentices at their Looms
Print made by William Hogarth, 1697–1764
Plate 1, The Fellow 'Prentices at their Looms
1747
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1830
Edward Goodall A Village Fair
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
Robert Brandard Château de Tancarville with Town of Quilleboeuf
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
Nicolas Beatrizet Pantheum Romanum nunc Mariae Cognomento
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
William Bernard Cooke Martigny
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
Edward Goodall The Lake of Geneva
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Robert Wallis St. Maurice
Print made by Robert Wallis, 1794–1878
St. Maurice
1830
William Finden The Tear
William Finden, 1787–1852
The Tear
1834
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1830
Henry Le Keux Villa Madama, Moonlight
Print made by Henry Le Keux, 1787–1868
Villa Madama, Moonlight
1830
William Angus Fonthill House in Wiltshire
Print made by William Angus, 1752–1821
Fonthill House in Wiltshire
1800
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
William Miller Between Clairmont and Mauves
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
James Tibbits Willmore Pont de l'Arche
Print made by James Tibbits Willmore, 1800–1863
Pont de l'Arche
1835
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
Henry Winstanley Edystone Lighthouse
Print made by Henry Winstanley, 1644–1703
Edystone Lighthouse
between 1699 and 1708
Francesco Bartolozzi Philip Dormer Stanhope, Earl of Chesterfield
Print made by Francesco Bartolozzi, 1728–1815
Philip Dormer Stanhope, Earl of Chesterfield
1777
Francesco Bartolozzi View of the Inside of the Vestibulum
Print made by Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
1764
Francesco Bartolozzi View of the Temple of Aesculapius
Print made by Francesco Bartolozzi, 1728–1815
View of the Temple of Aesculapius
1764
Francesco Bartolozzi View of the Porta Ferrea
Print made by Francesco Bartolozzi, 1728–1815
View of the Porta Ferrea
1764
Francesco Bartolozzi Another View of the Temple of Aesculapius
Print made by Francesco Bartolozzi, 1728–1815
Another View of the Temple of Aesculapius
1764
Jacobus Houbraken Charles Lord Talbot, Lord High Chancellor
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
Francesco Bartolozzi Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
1798
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Frontispiece: Hercules Fighting the Hydra
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
B. Winkles St. Ouens Abbey, Rouen
Print made by B. Winkles, active 1830–1840
St. Ouens Abbey, Rouen
1850
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Print made by Gerard de Jode, born 1509 or 1517, died 1591
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Giovanni Giacomo de Rossi Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Published by Giovanni Giacomo de Rossi, 1627–1691
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Gerard de Jode Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
Charles Mosley O the Roast Beef of Old England, &c.
Print made by Charles Mosley, c.1720–c.1770
O the Roast Beef of Old England, &c
1749
Gerard Jean Baptiste Scotin Marriage à la Mode, Plate 1
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
Bernard Baron Marriage à la Mode, Plate 3
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 3
1745
Simon François Ravenet Marriage à la Mode, Plate 4
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
Simon François Ravenet Marriage à la Mode, Plate 5
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 5
1745
William Hogarth A Rake's Progress, Plate 8
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
William Hogarth A Harlot's Progress, Plate 1
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
William Hogarth The Invasion, Plate 2: England
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
William Hogarth The Invasion, Plate 1: France
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
William Hogarth A Harlot's Progress, Plate 2
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
William Hogarth A Harlot's Progress, Plate 3
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
William Hogarth A Harlot's Progress, Plate 4
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732