Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
1833
2
after William Hogarth, 1697–1764
The Foundlings
1833
3
after William Hogarth, 1697–1764
Country Inn Yard
1833
4
after William Hogarth, 1697–1764
The Invasion, Plate II, England
1833
5
William Hogarth, 1697–1764
The Invasion, Plate I, France
1768
6
after William Hogarth, 1697–1764
Marriage à la Mode, Plate I, The Contract
1833
7
after William Hogarth, 1697–1764
The Chorus
1768
8
after William Hogarth, 1697–1764
The Laughing Audience
1768
9
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
10
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
11
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
12
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
13
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
14
after William Hogarth, 1697–1764
Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
1833
15
after William Hogarth, 1697–1764
Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
1768
16
after William Hogarth, 1697–1764
Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
1833
17
after William Hogarth, 1697–1764
Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
1833
18
after William Hogarth, 1697–1764
The Distressed Poet
1833
19
after William Hogarth, 1697–1764
The Invasion, Plate II, England
1768
20
after William Hogarth, 1697–1764
The Invasion, Plate II, England
1833
21
after William Hogarth, 1697–1764
The Polling
1766
22
after William Hogarth, 1697–1764
Chairing the Members
1766
23
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
24
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
25
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
26
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
27
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
28
after William Hogarth, 1697–1764
Frontispiece to Hogarth's Works, The Milk Maid
1850
29
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
30
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
31
Print made by William Hogarth, 1697–1764
Plate 1, The Fellow 'Prentices at their Looms
1747
32
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
33
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
34
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
35
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
36
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
37
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
38
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
39
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
40
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
41
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
42
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
43
Print made by William Bernard Cooke, 1778–1855
Crichtoun Castle
1834
44
Print made by Edward Goodall, 1795–1870
Florence
1830
45
Print made by Henry Le Keux, 1787–1868
Villa Madama, Moonlight
1830
46
Print made by Robert Wallis, 1794–1878
St. Maurice
1830
47
Print made by William Angus, 1752–1821
Fonthill House in Wiltshire
1800
48
Print made by Edward Goodall, 1795–1870
Florence
1830
49
Print made by Edward Goodall, 1795–1870
Carlisle
1834
50
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
51
William Finden, 1787–1852
The Tear
1834
52
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
53
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
54
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
55
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
56
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
57
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
58
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
59
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
60
Print made by Francesco Bartolozzi, 1728–1815
Philip Dormer Stanhope, Earl of Chesterfield
1777
61
Print made by Francesco Bartolozzi, 1728–1815
View of the Temple of Aesculapius
1764
62
Print made by Francesco Bartolozzi, 1728–1815
View of the Porta Ferrea
1764
63
Print made by Francesco Bartolozzi, 1728–1815
Another View of the Temple of Aesculapius
1764
64
Print made by Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
1764
65
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
66
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
67
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
68
Print made by Henry Winstanley, 1644–1703
Edystone Lighthouse
between 1699 and 1708
69
Print made by B. Winkles, active 1830–1840
St. Ouens Abbey, Rouen
1850
70
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
71
Print made by Francesco Bartolozzi, 1728–1815
Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
1798
72
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
73
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
74
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
75
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
76
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
77
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
78
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
79
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
80
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
81
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
82
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
83
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
84
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
85
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
86
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
87
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
88
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
89
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
90
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
91
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
92
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
93
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
94
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
95
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
96
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
97
Published by Giovanni Giacomo de Rossi, 1627–1691
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
98
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
99
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
100
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630