Materials & Techniques: line engraving / Genre: religious and mythological subject / Width [cm]: 31

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Materials & Techniques line engraving

Genre religious and mythological subject

Width [cm] 31

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by Daniel Allen, active 1830s

A Bacchanalian Vase

1830

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

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