Materials & Techniques: line engraving / Period: 19th century / Subject Terms: literary theme

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh

1834

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower

1839

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by James H. Kernot, 1802–1858

Wolf's Hope

1836

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Abbotsford

1841

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834, reprinted 1851

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Loch Achray

1853 reprint

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by James H. Kernot, 1802–1858

Wolf's Hope

1836

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Abbotsford

1841

Print made by James H. Kernot, 1802–1858

Wolf's Hope

1843

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

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Materials & Techniques line engraving

Period 19th century

Subject Terms literary theme

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Materials & Techniques line engraving

Period 19th century

Subject Terms literary theme

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