Materials & Techniques: line engraving / Period: 19th century / Width [cm]: 50

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Materials & Techniques line engraving

Period 19th century

Width [cm] 50

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Samuel Rawle, 1771–1860

Hylton Castle, County of Durham

1820

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountains

1818-1823

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by James Basire II, 1769–1822

A View of the Chapel and Hall of Oriel College, &c

1807

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by William Miller, 1796–1882

St. Michael's Mount, Cornwall

1866

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