Materials & Techniques: line engraving / Period: 19th century / Width [cm]: 49

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Materials & Techniques line engraving

Period 19th century

Width [cm] 49

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by Thomas Higham, 1796–1844

Wilton House

1825

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by unknown artist

Part of the Front of the Vestibule

1843

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James H. Kernot, 1802–1858

Bank of England Royal Exchange

1800

Print made by Sir Hubert von Herkomer, 1849–1914

The Lady in Black

1888

Print made by Thomas Abiel Prior, 1809–1886

Zurich

1854

Print made by William Miller, 1796–1882

St. Michael's Mount, Cornwall

1866

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