Materials & Techniques: line engraving / Period: 19th century / Width [cm]: 43

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by Edward Francis Finden, 1791–1857

The Castellated Rhine

1832-1834

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by James Tibbits Willmore, 1800–1863

Saumur

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountains

1818-1823

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by John Smith, the mezzotinter, 1652–1743

Château Gaillard, from the East

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Print made by Edward Francis Finden, 1791–1857

Malta

1832-1834

Print made by James Baylis Allen, 1803–1876

Falls of the Rhine

1832

Print made by Robert Wallis, 1794–1878

Palais at Blois

1833

Print made by Thomas Higham, 1796–1844

Orleans

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by James Tibbits Willmore, 1800–1863

Montjen

1833

Print made by James Charles Armytage, 1802–1897

Troyes

1835

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828-1832

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1828

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1832

Print made by Robert Wallis, 1794–1878

Havre

1832

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1826-1837

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by Edward Francis Finden, 1791–1857

Gibraltar

1832-1834

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by Thomas Crostick, active ca. 1828

Fonthill

1829

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by James Tibbits Willmore, 1800–1863

Saumur

1833

Print made by William Miller, 1796–1882

Rouen, Looking Down the River

1834

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by William Finden, 1787–1852

Rhodes

1833

Print made by James Tibbits Willmore, 1800–1863

Vernon

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by James Tibbits Willmore, 1800–1863

The Lanterne of St. Cloud

1835

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by William Miller, 1796–1882

Brussels, Distant View

1834

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by William Miller, 1796–1882

Pont-Neuf, Paris

1835

Print made by William Miller, 1796–1882

Melun

1835

Print made by James Charles Armytage, 1802–1897

Troyes

1834

Print made by William Miller, 1796–1882

Melrose

1834

unknown artist

Bank of England

undated

Print made by Samuel Cousins, 1801–1887

Lady Harriet Clive

1840

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

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Materials & Techniques line engraving

Period 19th century

Width [cm] 43

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Materials & Techniques line engraving

Period 19th century

Width [cm] 43

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