Materials & Techniques: line engraving / Period: 19th century / Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

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Materials & Techniques line engraving

Period 19th century

Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Miller, 1796–1882

Rouen, from St. Catherine's Hill

1834

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

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