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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
14
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
12
Willmore, James Tibbits, 1800–1863
5
Radclyffe, William, 1780–1855
4
Horsburgh, John, 1791–1869
3
Billings, Robert William, 1813–1874
2
Le, Keux John, 1783–1846
1
Woolnoth, Thomas A., 1785–1857
1
Date
1814
34
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1818
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1795
24
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1831
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1
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1
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1
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1
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1
1853
1
1858
1
1874
1
On-site Access
Accessible in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Prints
14
Creator Gender
male
14
Collective Title
Picturesque Views in England and Wales
9
"The History of the Ancient Palace and Late Houses of Parliament at Westminster", Brayley and Britton, 1836
2
Period
19th century
14
Materials & Techniques
line engraving
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14
wove paper
8
chine collé
4
etching (printing process)
1
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42
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58
Work Type
intaglio print
14
Genre
marine art
12
architectural subject
11
sporting art
6
cityscape
5
landscape
5
religious and mythological subject
3
military art
2
Subject Terms
river
9
church
7
landscape (representation)
7
bridge
5
cityscape
5
college
4
harbor
3
marine art
3
military art
3
architectural subject
2
interior view
2
ruins
1
Associated Places
England
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14
United Kingdom
14
Bedford
5
Bedford Town Bridge
5
Bedfordshire
5
Great Ouse
5
St. Paul's Church
5
Berkshire
4
Eton
4
Eton College
4
Thames
4
Windsor
4
English Channel
3
Folkestone
3
Kent
3
City of Westminster
2
House of Commons
2
London
2
Palace of Westminster
2
St. Stephen's Chapel, Palace of Westminster
2
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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Materials & Techniques
line engraving
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1831
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1
Print made by William Radclyffe, 1780–1855
Eton College, Berkshire
1831
2
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
3
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
4
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
5
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
6
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
7
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
8
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
9
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
10
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
11
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
12
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
13
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
14
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836