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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
16
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
15
Wallis, Robert, 1794–1878
6
Goodall, Edward, 1795–1870
5
Smith, William R., active 1819–1851
3
Alighieri, Dante, 1265–1321
1
Blake, William, 1757–1827
1
Brandard, Robert, 1805–1862
1
Date
1830
63
1630
46
1829
17
1827
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16
1832
12
1816
11
1834
11
1822
9
1811
8
1836
8
1831
7
1814
6
1819
6
1799
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1810
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1715
4
1792
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1826
4
1859
4
1785
3
1800
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1821
3
1824
3
1825
3
1833
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1646
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1823
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1
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1853
1
1860
1
1863
1
1870
1
1871
1
1926
1
1938
1
On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
Available
16
Classification
Prints
16
Creator Gender
male
16
Collective Title
Picturesque Views in England and Wales
13
Rogers's Italy
2
Blake's Illustrations of Dante
1
Period
19th century
15
Materials & Techniques
line engraving
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16
wove paper
16
etching (printing process)
15
chine collé
6
China paper
1
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43
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55
Work Type
intaglio print
16
Genre
landscape
11
cityscape
7
marine art
6
architectural subject
5
literary theme
1
Subject Terms
river
7
landscape (representation)
5
castle
3
cityscape
3
marine art
3
bridge
2
cove
1
military art
1
mountain
1
tower (single built work)
1
waterfall
1
Associated Places
England
6
United Kingdom
6
Durham
3
Barnard Castle
2
Barnard Castle Bridge
2
Teesdale
2
Alde
1
Aldeburgh
1
Colchester
1
Colchester Castle
1
Colne
1
Cornwall
1
Dart
1
Dartmouth
1
Devon
1
Essex
1
High Force
1
Middleton in Teesdale
1
Pennines
1
Saltash
1
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Associated Places
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Exhibition History
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
16
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Materials & Techniques
line engraving
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Date
1827
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25
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Search Results
1
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
2
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
3
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
4
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
5
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
6
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
7
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
8
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
9
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
10
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
11
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827
12
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
13
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
14
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
15
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
16
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827