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Collection
Prints and Drawings
49
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
41
Cooke, George, 1781–1834
11
Cooke, William Bernard, 1778–1855
8
Miller, William, 1796–1882
6
Goodall, Edward, 1795–1870
5
Scott, John, 1774–1828
3
Unknown artist
3
Wallis, Robert, 1794–1878
3
Allen, James C., active 1821–1831
2
Bartolozzi, Francesco, 1727–1815
2
Comte, Benjamin, 1760–1851
2
Smith, John Thomas, 1766–1833
2
Vieira, Francis, 1765–1806
2
Beechey, William, Sir, 1753–1839
1
Bishop, William, active 1816–1820
1
Cadell, Thomas, 1773–1836
1
Cooper, Richard the Younger, 1740–1814
1
Davies, William, 1776–1820
1
Evans, William, active 1797–1856
1
Hawkins, George, active 1795–1810
1
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Creator
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Date
1834
391
1835
212
1833
179
1630
155
1830
146
1793
103
1837
102
1836
97
1832
81
1818
65
1859
65
1797
61
1745
60
1792
59
1827
56
1800
55
1826
54
1814
[remove]
49
1828
49
1831
49
1795
47
1821
37
1563
35
1825
32
1820
31
1838
31
1568
30
1743
29
1816
29
1822
29
1811
28
1839
28
1794
27
1829
27
1780
25
1799
25
1842
25
1775
24
1810
24
1819
24
1559
23
1642
23
1787
23
1803
23
1776
22
1790
20
1628
19
1700
19
1812
19
1715
18
1805
18
1762
17
1765
17
1788
17
1747
16
1773
16
1782
16
1785
16
1796
16
1801
16
1804
16
1824
16
1618
15
1789
15
1553
14
1772
14
1544
13
1546
13
1750
13
1784
13
1844
13
1739
12
1763
12
1764
12
1779
12
1783
12
1802
12
1813
12
1840
12
1778
11
1786
11
1798
11
1732
10
1738
10
1754
10
1768
10
1823
10
1841
10
1845
10
1736
9
1753
9
1755
9
1771
9
1791
9
1809
9
1815
9
1574
8
1752
8
1767
8
1781
8
On-site Access
Accessible by appointment in the Study Room
49
Image Use
Free to Use
49
Image Available
Available
48
Unavailable
1
Classification
Prints
[remove]
49
Creator Gender
male
49
unknown
3
Collective Title
Cooke's Picturesque Views of the Southern Coast of England
35
Britton's 'Architectural Antiquities of Great Britain'
3
Whitaker's 'Loidis and Elmete'
2
Iconographie Anglaise par Reynolds et Autres
1
Period
19th century
47
18th century
2
Materials & Techniques
line engraving
[remove]
49
wove paper
40
etching (printing process)
35
laid paper
5
stipple engraving
5
chine collé
3
graphite
2
steel engraving
2
crayon manner
1
gray wash
1
hand coloring
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
60
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
54
Unknown
2
Work Type
intaglio print
49
Genre
marine art
34
landscape
31
architectural subject
13
religious and mythological subject
6
animal art
5
portrait
2
cityscape
1
historical subject
1
Subject Terms
marine art
31
landscape (representation)
15
bay (body of water)
12
landscape
7
channel (water body component)
5
cityscape
5
river
5
architectural subject
4
castle
4
harbor
4
ocean
3
sea
3
cove
2
headland
2
lighthouse
2
portrait
2
artist
1
cathedral
1
church
1
coat
1
more
Subject Terms
»
Associated Places
England
34
Europe
33
United Kingdom
28
Cornwall
11
English Channel
11
Devon
8
Bristol Channel
6
Carrick Roads
4
Combe Martin
4
Combe Martin Bay
4
Dorset
4
Falmouth
4
Kent
4
Pendennis Castle
4
Atlantic Ocean
3
Boscastle
3
Celtic Sea
3
Land's End
3
Poole
3
Poole Bay
3
more
Associated Places
»
Associated People
Beechey, Sir William (1753–1839), portrait painter
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
49
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Materials & Techniques
line engraving
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Date
1814
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Classification
Prints
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1
Benjamin Comte, 1760–1851
Jupiter and Leda
1814
2
Benjamin Comte, 1760–1851
Narcissus
1814
3
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
4
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814 to 1826
5
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
6
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
7
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
8
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
9
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
10
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
11
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1814 to 1826
12
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
13
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
14
Print made by Edward Goodall, 1795–1870
Mount Edgecomb, Devonshire
1814 to 1826
15
Print made by unknown artist
Gateway to the Flower Garden at Farnley
1814
16
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
17
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
18
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
19
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
20
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1814-1826
21
Print made by William Bernard Cooke, 1778–1855
Lyme Regis, Dorsetshire
1814
22
Print made by John Pye, 1782–1874
View of Redcliff Church &c. Bristol
1814
23
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
24
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
25
Print made by unknown artist
Bay Windows in the Flower Garden at Farnley
1814
26
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
27
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
28
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
29
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
30
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
31
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
32
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
33
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1814-1826
34
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
35
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
36
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
37
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
38
John Thomas Smith, 1766–1833
The South Entrance of Duke's Place
1814
39
Print made by William Bernard Cooke, 1778–1855
Billingsgate
1814
40
John Thomas Smith, 1766–1833
Sacred Architecture: the South Entrance of Dukes Place
1814
41
Print made by John Horsburgh, 1791–1869
Whitstable, Kent
1814 to 1826
42
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
43
Print made by William Bernard Cooke, 1778–1855
Bow and Arrow Castle, Isle of Portland
1814-1826
44
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
45
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1814 to 1826
46
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
47
Print made by Richard Cooper the Younger, 1740–1814
Sir William Beechey, R. A
1814
48
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
49
unknown artist
The Right Honourable Henry Grattan
1814