Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 32

Print made by Paulus Pontius, 1603–1658

Antonius Van Dyck Eques and Peter Paul Rubens Eques

between 1618 and 1658

Print made by James Caldwall, 1739–1819

Omai

1777

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855

Brightling Observatory

1816

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

View of Exeter College, All Saints Church, &c. from the Turl

1806

Print made by James Basire II, 1769–1822

A View of the Chapel and Hall of Oriel College, &c

1801

Anthony Walker, 1726–1765

A View of the New Bridge Over the Thames at Walton in Surrey

1750

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by Austin, Robert, 1895-1973, 1895–1973

Wood Carriers

1932

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by Charles H. Jeens, 1827–1879

The Birdcage

between 1859 and 1861

Print made by John Cousen, 1804–1880

Peace - Burial of Wilkie

between 1859 and 1861

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by Paulus Pontius, 1603–1658

Adrianus Stalbent

ca. 1635

Print made by Peeter Clouwet, 1629–1670

Henricus Riche

ca. 1635

Print made by unknown artist

Philippus le Roy

ca. 1635

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Charles Turner, 1774–1857

Okehampton Castle on the River Okement

1825

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Robert van Voerst, 1597–1636

Robertus van Voerst

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Ioannes T'Serclaes

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Ioannes Livens

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Petrus de Ioden

ca. 1635

Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

1720

Stephen Frederick Gooden, 1892–1955

The Satyrs

1937

George Vertue, 1684–1756

Lionel Cranfield Sackville, 1st Duke of Dorset

1732

unknown artist

The South View of Barnes

undated

William Faithorne the Younger, ca. 1669–1703

John Smith, Writing Master in London

undated

Pieter S. van der Gunst, 1659–c. 1724

Sir Francis Walsingham

undated

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

Maddocks, active 1825

The Alms House in Great St. Helens

1825

unknown artist

Old Houses in the Butcher Row

1798

Philip Audinet, 1766–1837

The Right Honourable Lord Keith K.B., Vice Admiral of the Red

1801

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Antonio Lafreri, 1512–1577

Ancient Temples and Rotundas (Five Designs)

1546-1590

Print made by Samuel Cousins, 1801–1887

The Orphan

1834

Print made by Samuel Cousins, 1801–1887

The Calmady Children

1835

Print made by John Condé, 1765–1794

His Royal Highness George Prince of Wales

1794

Print made by Samuel Cousins, 1801–1887

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Print made by James Dobie, 1849–1911

Horae Serenae

1896

Print made by Edward Francis Finden, 1791–1857

The Castellated Rhine

1833

Print made by James Basire, 1730–1802

George Gower

1800

Print made by Tiburce de Mare, 1840–1900

The Negligent Boy

ca. 1868

Print made by Georg Dionysius Ehret, 1708–1770

The Banana Tree, Plate 16

1750

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, 1743–after 1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by James Sharples, 1825–1892

The Forge

1859

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by George Cooke, 1781–1834

Gledhow

1820

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1819

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1819

Print made by William Bernard Cooke, 1778–1855

Source of the Tamer and Torridge

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Henry Hulsberg, active 1700s–died 1729

Design for a House in a "Theatrical Style" for Paul Methuen

undated

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

A View of the Chapel and Hall of Oriel College, &c

1807

Print made by James Basire II, 1769–1822

View of Exeter College, All Saints Church, &c. from the Turl

1806

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by James Basire II, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by James Basire II, 1769–1822

View of the Cathedral of Christ Church, and Part of Corpus Christi College

1808

Print made by James Basire II, 1769–1822

View of the Cathedral of Christ Church, and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by James C. Allen, active 1821–1831

Orford Castle and Church

ca. 1830

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 3

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 6

1732

Print made by William Hogarth, 1697–1764

The Invasion, Plate 1: France

1756

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 1

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 5

1732

Print made by William Hogarth, 1697–1764

The Invasion, Plate 2: England

1756

Stephen Frederick Gooden, 1892–1955

Gargoyle

1933

$William Chapman Ilfracombe, North Devon$

Print made by William Chapman, 1817–1879

Ilfracombe, North Devon

between 1853 and 1874

Pieter S. van der Gunst, 1659–c. 1724

Lesley, Eveque de Rosse

1707

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Height [cm] 32

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Height [cm] 32

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