Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1816

Start Over

You searched for:

Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1816

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by unknown artist

Flower Garden Porch at Farnley

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by unknown artist

Little Devil's Bridge

between 1816 and 1820

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Brightling Observatory

1816

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855

Source of the Tamer and Torridge

1816

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The spot where Harold Fell

1816

Print made by John Scott, 1774–1828

Harewood House

1816

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period