Materials & Techniques: laid paper / Width [cm]: 44 / Image Use: Free to Use

1. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Industry and Idleness, Plate 1: The Fellow 'Prentices at Their Looms

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. Industry and Idleness, Plate 2: The Industrious 'Prentice Performing the Duty of a Christian

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

4. Industry and Idleness, Plate 6: The Industrious 'Prentice out of His Time and Married to His Master's Daughter

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

5. Industry and Idleness, Plate 5: The Idle 'Prentice Turned Away, and Sent to Sea

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

6. Industry and Idleness, Plate 12: The Industrious 'Prentice Lord Mayor of London

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

7. Inverary Castle and Town, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Isis

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Paper Mill at Rickmansworth

Creator:: Attributed to Robert Udney, 1740–1808
Date:: between 1765 and 1781
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Study of a Climbing Plant (Pumpkin Family)

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 21 1/2 x 17 1/4 inches (54.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 3/8 inches (28.7 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. River with Angler

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 17 5/16 inches (27.9 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Etching and engraving; first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 17 1/4 inches (56.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Pine Tree

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper mounted on fabric
Dimensions:: Sheet: 23 1/8 × 17 1/4 inches (58.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Jewish Rabbi

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 17 3/8 inches (48.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View in the Island of Cracatoa

Creator:: John Webber, 1752–1793
Date:: undated
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 1/8 inches (28.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Le Chant

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/8 inches (55.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. La Tourterelle

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 17 1/4 inches (54.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Three Figures in a Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1766
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 × 17 7/16 inches (30.5 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

31. William Henry West Betty

Creator:: James Heath, 1757–1834
Date:: 1806
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. King Lyncus Turned Into a Lynx by Ceres

Creator:: Print made by Jacob Gole, 1660–1737
Date:: between 1675 and 1700
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Harbor Scene

Creator:: Dominic Serres, 1722–1793
Date:: Between 1758 and 1793
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 x 17 3/8in. (24.6 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Great Executioner

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1658
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Mrs. Billington as St. Cecilia

Creator:: Print made by James Ward, 1769–1859
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 11/16 × 17 5/16 inches (67.8 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Francis Bartolozzi, R.A.

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Lady Wigram

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint (first published state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 33 3/8 × 22 1/2 inches (84.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. David Garrick as Richard III

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 17 1/8 inches (66.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Celebration on the Thames near Whitehall

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Date:: 1685
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Headland on the Coast of South Devon, Possibly Shaldon

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 17 7/16 inches (31.3 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Henry Frederick, Duke of Cumberland

Creator:: Print made by Thomas Watson, 1743–1781
Date:: ca. 1774
Materials & Techniques:: Mezzotint on thick, rough, cream laid paper
Dimensions:: Sheet: 26 5/16 × 17 3/16 inches (66.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish

Creator:: Print made by George Keating, 1762–1842
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 17 1/4 inches (37.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 17 1/4 inches (54.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 1/8 inches (58.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

50. Chain of Alps

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

51. Mill near the Grande Chartreuse

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

52. The Source of the Arveron

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

53. Bonneville, Savoy

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

54. The Pont du Gard in Languedoc

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29.1 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ploughing, Eton

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1818, printed after 1851
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Sir John Moore

Creator:: Charles Turner, 1774–1857
Date:: 1809
Materials & Techniques:: Mezzotint on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 3/8 × 17 3/8 inches (61.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Sleeping Child

Creator:: William Doughty, 1757–1782
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 17 3/16 inches (40.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Water Mill

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 1/8 inches (32.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

59. Shepherd's Meal

Creator:: John Raphael Smith, 1752–1812
Date:: 1803
Materials & Techniques:: hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 11/16 × 17 3/16 inches (55.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. William Shakespeare

Creator:: George Vertue, 1684–1756
Date:: 1719
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Mr. John Stow, Historian

Creator:: George Vertue, 1684–1756
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 23 15/16 × 17 1/4 inches (60.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Effigies of John Rushworth Esq.

Creator:: Robert White, 1645–1703
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/8 inches (61 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Joseph Warton, D.D. Master of Winchester College

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. King Henry VI

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 7/8 × 17 1/8 inches (60.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. King William the Conquerer

Creator:: George Vertue, 1684–1756
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Edward I, King of England, Lord of Ireland and Duke of Aquitaine

Creator:: George Vertue, 1684–1756
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 3/4 × 17 1/8 inches (60.3 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Richard III, King of England

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 15/16 × 17 3/16 inches (60.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Edward Prince of Wales and Aquitaine, Duke of Cornwall

Creator:: George Vertue, 1684–1756
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 3/16 inches (61 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Felice Salimbeni

Creator:: Print made by George F. Schmidt, 1712–1775
Date:: 1751
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/4 × 6 13/16 inches (22.2 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Captive

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1781
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 13 11/16 x 17 1/4 inches (34.8 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. River Ferry with Many Passengers and Animals

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 17 3/8 inches (12.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching; engraver's proof, 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ionic Temple Ptolmeta

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 13 11/16 × 17 3/8 inches (34.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Gateway to the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching and engraving; published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. The Fair Grounds

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 17 3/8in. (13.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Treasury, Whitehall, London: Alternate Elevations of the Facade

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Brightling Observatory

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Battle Abbey, The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1819
Materials & Techniques:: Etching and engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1819
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1819
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Autumnal Sunset

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

89. Yarmouth, Norfolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

90. Noon

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

91. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/4in. (29.8 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

92. A Summerland

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

93. Old Sarum

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

94. Summer Afternoon, After a Shower

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

95. The Glebe Farm

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 17 1/8 inches (30.2 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

96. Vignette, Hampstead Heath, Middlesex

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

97. Spring

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

98. Christ Church, Oxford

Creator:: Print made by unknown artist
Date:: 1907
Materials & Techniques:: Drypoint on thick, smooth, cream laid paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

99. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1759
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cottage Family

Creator:: John Raphael Smith, 1752–1812
Date:: 1803
Materials & Techniques:: Handcolored mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

Width [cm] 44

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1. Study of a Female Nude

2. Industry and Idleness, Plate 1: The Fellow 'Prentices at Their Looms

3. Industry and Idleness, Plate 2: The Industrious 'Prentice Performing the Duty of a Christian

4. Industry and Idleness, Plate 6: The Industrious 'Prentice out of His Time and Married to His Master's Daughter

5. Industry and Idleness, Plate 5: The Idle 'Prentice Turned Away, and Sent to Sea

6. Industry and Idleness, Plate 12: The Industrious 'Prentice Lord Mayor of London

7. Inverary Castle and Town, Scotland

8. Christ and the Woman of Samaria

9. Flint Castle, Vessels Unloading

10. Mt. St. Gothard

11. Little Devil's Bridge over the Russ above Altdorft, Switzerland

12. Ville de Thun, Switzerland

13. The Source of the Arveron in the Valley of Chamouni, Savoy

14. Christ and the Woman of Samaria

15. Isis

16. Dunstanborough Castle

17. The Paper Mill at Rickmansworth

18. Study of a Climbing Plant (Pumpkin Family)

19. Pendennis Castle, and Entrance of Falmouth Harbour

20. Bow and Arrow Castle, Isle of Portland

21. River with Angler

22. Fonthill

23. Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes

24. Pine Tree

25. A Jewish Rabbi

26. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

27. View in the Island of Cracatoa

28. Le Chant

29. La Tourterelle

30. Three Figures in a Landscape

31. William Henry West Betty

32. King Lyncus Turned Into a Lynx by Ceres

33. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

34. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

35. Harbor Scene

36. The Great Executioner

37. Mrs. Billington as St. Cecilia

38. Francis Bartolozzi, R.A.

39. Lady Wigram

40. David Garrick as Richard III

41. De la Parade de Seconde sur le Coup de Seconde

42. Celebration on the Thames near Whitehall

43. Headland on the Coast of South Devon, Possibly Shaldon

44. Henry Frederick, Duke of Cumberland

45. Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish

46. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

47. Miss Farren

48. Mrs. Fitzherbert

49. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

50. Chain of Alps

51. Mill near the Grande Chartreuse

52. The Source of the Arveron

53. Bonneville, Savoy

54. The Pont du Gard in Languedoc

55. Ploughing, Eton

56. Sir John Moore

57. The Sleeping Child

58. Water Mill

59. Shepherd's Meal

60. William Shakespeare

61. Mr. John Stow, Historian

62. The Effigies of John Rushworth Esq.

63. Joseph Warton, D.D. Master of Winchester College

64. King Henry VI

65. King William the Conquerer

66. Edward I, King of England, Lord of Ireland and Duke of Aquitaine

67. Richard III, King of England

68. Edward Prince of Wales and Aquitaine, Duke of Cornwall

69. Felice Salimbeni

70. The Captive

71. Shields on the River Tyne

72. More Park, near Watford, on the River Colne

73. Lovelace in Prison