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Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable William Pitt

1799

Print made by Edmund Blampied, 1886–1966

A Jersey Vraic Cart

1939

Print made by Sir David Young Cameron, 1865–1945

Strathearn

1917

Print made by Sir Muirhead Bone, 1876–1953

The Solent

1920

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Joseph Nollekens, 1737–1823

Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner

ca. 1782

Joseph Wolf, 1820–1899

The Mansion House, London: Elevation

undated

James Bruce, 1730–1794

No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

undated

James Bruce, 1730–1794

Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

undated

James Bruce, 1730–1794

Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

undated

James Bruce, 1730–1794

Details of Temple at Sheitla

undated

John Varley, 1778–1842

Byland Abbey, Yorkshire

1808

James Bruce, 1730–1794

No. 22 sketch of temple at Baalbec and Palmyra

undated

James Bruce, 1730–1794

Elevation of Front of most entire Temple at Baalbec

undated

James Bruce, 1730–1794

Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

undated

James Bruce, 1730–1794

Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec

undated

James Bruce, 1730–1794

Temple at Baalbec: Three Temples amongst other Ruins

undated

James Bruce, 1730–1794

Temple at Baalbec: Sheet of Sketches of Columns

undated

Benjamin West, 1738–1820

A Mother and Two Children

1786

James Bruce, 1730–1794

Internal Order of the Cell of the most entire Temple at Baalbec

undated

James Bruce, 1730–1794

Capitol Thamugas

undated

Samuel Buck, 1696–1779

The South-west View of Battle Abbey in the County of Sussex

1735

Martin Hardie, 1875–1952

Boats on Shore, Evening, Blakeney

1947

James Gwin, 1700–1769

Position de la Garde en Quarte, et le Coup de Quarte Basse

1763

William Payne, active 1850s

View of Plymouth taken from the Seven Trees, Exeter Road

undated

Augustin Heckel, 1690–1770

The Bridge, Walton on Thames

ca. 1750

James Gwin, 1700–1769

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

1763

James Gwin, 1700–1769

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B

1763

James Gwin, 1700–1769

Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

1763

Humphry Repton, 1752–1818

North Parade, Bath

1784

James Gwin, 1700–1769

Position pour le Garde en Tierce et le Coup de Tierce

1763

James Gwin, 1700–1769

Position pour la Garde en Quarte et le Coup de Quarte

1763

James Gwin, 1700–1769

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

1763

James Gwin, 1700–1769

De la Risposte de Quarte apres la Parade de Quarte

1763

James Gwin, 1700–1769

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

1763

James Gwin, 1700–1769

De la Passe en Quarte du Dehors des Armes

1763

James Gwin, 1700–1769

Du Desarmement Aprés Avoir Paré le Coup de Quarte

1763

James Gwin, 1700–1769

Du Desarmement sur le Coup de Tierce

1763

James Gwin, 1700–1769

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

1763

James Gwin, 1700–1769

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

1763

James Gwin, 1700–1769

Risposte Aprés Avoir Trompé la Parade du Poignard

1763

James Bruce, 1730–1794

Slight graphite sketch of ruins of Hieron of Temples at Shietla

undated

James Bruce, 1730–1794

The Antiquities of Africa

1765

James Bruce, 1730–1794

Measured drawing of section of pediments of temple Baalbec

undated

Paul Sandby, 1731–1809

London Cries: A Muffin Man

ca. 1759

Henry William Bunbury, 1750–1811

The Balloon

undated

Paul Sandby, 1731–1809

London Cries: A Fishmonger

ca. 1759

Paul Sandby, 1731–1809

London Cries: Shoe Cleaner

ca. 1759

Robert Adam, 1728–1792

Headfort House, Ireland: Ceiling of the Eating Parlor

between 1771 and 1775

Print made by Charles Howard Hodges, 1764–1837

Hebe

1785

Print made by John Raphael Smith, 1752–1812

Lady Catherine Powlet

1778

Print made by Robert Dunkarton, 1744–1811

Mrs. Yates as 'Melancholy' in 'Il Penseroso'

1771

Print made by William Dickinson, 1746–1823

Elizabeth, Countess of Derby

ca. 1780

Print made by John Young, 1755–1825

Mrs. Orby Hunter

1800

Print made by John Young, 1755–1825

Infant Vanity

1789

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by Thomas Watson, 1743–1781

Henry Frederick, Duke of Cumberland

ca. 1774

Print made by William Sharp, 1749–1824

John Hunter, F.R.S

1788

Print made by John Young, 1755–1825

Clara at the tomb of Eloisa

1786

Print made by John Keyse Sherwin, c.1751–1790

Sir Joshua Reynolds

c.1784

Sir Robert Smirke the younger, 1781–1867

Sketch of the Line of the Shaft and Inner Angle of the Abacus

1802-1804

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by James Walker, 1748–1808

The Spell, or Hobnelia

1783

unknown artist

The South View of Barnes

undated

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

1799

Print made by Sir David Young Cameron, 1865–1945

Arran Peaks

1912

Print made by Edmund Blampied, 1886–1966

Loading Vraic, St. Malo

1926

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Thomas Rowlandson, 1756–1827

Lord Harrington Leaving Mother Matthew's

undated

William Mulready, 1786–1863

The Disobedient Prophet

1848, retouched 1863

Print made by John Raphael Smith, 1752–1812

Mrs. Carnac

1778

Thomas Rowlandson, 1756–1827

A Carrier's Waggon

between 1785 and 1790

Print made by John Raphael Smith, 1752–1812

Serena

1782

Thomas Rowlandson, 1756–1827

Drury Lane. The School for Scandal

undated

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

imitator of Thomas Gainsborough, 1727–1788

Wooded Landscape with Figures, Cottage and Cow

between 1785 and 1788

Rev. William Gilpin, 1724–1804

Mountainous landscape with winding river and castle

undated

Gainsborough Dupont, 1754–1797

Landscape: Three cows in center foreground

undated

Samuel Davis, 1760–1819

Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

undated

Samuel Davis, 1760–1819

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

undated

Nicholas Thomas Dall, op.1748–, d.1777

Ceiling Design

1756

Attributed to Isaac Cruikshank, 1764–1811

Westminster Races, A Political Heat Run in Convent Garden

1784

Print made by Isaac Cruikshank, 1764–1811

A Flight Across the Herring Pool

1800