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Materials & Techniques laid paper
Remove constraint Materials & Techniques: laid paperWork Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 24
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1
- Satan Approaching the Court of Chaos
- 1784 to 1785
2
- Iphigenia Kneeling over an Altar
- undated
3
- Part of Roche Abbey, Yorkshire
- undated
4
- The Long Minuet as Danced at Bath
- after 1787
5
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
6
- Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
- undated
7
- Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
- undated
8
- Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
- undated
9
- Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
- undated
10
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
11
- Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
- undated
12
- Waterloo Bridge from the West, 1814
- 1814
13
- Margaret Ramsay, the Artist's Second Wife (Died 1782)
- 1754
14
- Figures in a Landscape
- undated
15
- Rural Landscape
- between 1750 and 1755
16
- Castle with Figures in a Classical Landscape
- undated
17
- Abbey Ruin
- undated
18
- Landscape with Large Cruciform
- 1769
19
- Six Capitals of Columns in the Court of Lions in the Alambra of Granada
- 1775 to 1776
20
- View of the Cascine Near Florence
- 1787
21
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
22
- Windsor Castle from the North
- undated
23
- De la Parade de Prime sur le Coup de Seconde
- 1763
24
- De la Passe en Quarte du Dehors des Armes
- 1763
25
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
26
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
27
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
28
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
29
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
30
- Landscape with an Abbey
- 1805
31
- Landscape with Castle on Riverbank
- 1763
32
- Page Boy Asleep
- undated
33
- Plan of Lake Tiberias
- ca. 1750
34
- View of the Ruined Theater of Aezani at Tjaden
- ca. 1750
35
- View of Hill Towns or Ruins near Damascus
- 1751
36
- View of the Source of the Lycus River (Nahr el-Kelb)
- ca. 1751
37
- Ruines à Troye
- ca. 1750
38
- View of Artaki (now Erduk)
- ca. 1750
39
- View of Sigacik (Ancient Teos)
- ca. 1750
40
- Is'Tmo e Penisola di Cizico
- ca. 1750
41
- Scoglio di Silla nel Faro di Mesina
- ca. 1750
42
- Pianta di Rodi
- ca. 1750
43
- Veduta Occidentale del Monte Tabor
- ca. 1750
44
- Napolosa in Samaria
- ca. 1750
45
- Castello di Smirna
- ca. 1750
46
- Monte delle Beatitudini
- ca. 1750
47
- View of the Ruined Baths at Hadrian's Villa at Tivoli
- ca. 1750
48
- An Allegory on the Plight of the Artist
- between 1772 and 1790
49
- Distant View of a Town
- 1775
50
- Sketch of an Elaborately Saddled Horse
- ca. 1792
51
- Unfinished Sketch of an Elaborately Saddled Horse
- undated
52
- A London Potboy
- 1759
53
- Illustration to the Iliad
- between 1760 and 1769
54
- Views in the Levant: Landscape With Sea, Town and Hills
- ca. 1785
55
- Views in the Levant: A Ruined Byzantine Church
- ca. 1785
56
- Civita Castellana
- undated
57
- Landscape in North Wales
- 1813
58
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
59
- From Boxley Hill near Maidstone
- 1801
60
- Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
- ca. 1622
61
- Road Between Hills
- undated
62
- Hinton St. George, Somerset: View of the Saloon
- 1797
63
- Design for a Wall Panel
- undated
64
- A Dramatic Scene with Three Women in an Interior
- 1794
65
- View of Erthig, Denbigshire, Wales
- undated
66
- Ruins Outside Rome
- ca. 1783
67
- A Farmyard
- ca. 1815
68
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
69
- Part of Brind Gill in Ligburthwaite
- undated
70
- Man Asleep in a Long Blue Coat
- undated
71
- Cascade of Buffalora
- undated
72
- Study of a Coat and Breeches
- undated
73
- Mountainous Landscape with a Bridge and House
- ca. 1816
74
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
75
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
76
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
77
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
78
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
79
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
80
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
81
- De la Parade de Seconde sur le Coup de Seconde
- 1763
82
- De la Parade Dequinte sur le Coup de Quinte
- 1763
83
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
84
- Sketch for a Picture of the Peshwa's Saddle
- undated
85
- The Falls at Tivoli
- between 1752 and 1757
86
- Cupboard in the Hall of the Embassadors
- 1775 to 1776
87
- Coat of Arms Design
- undated
88
- Study of a Section Piece From The Lions Court at Alahambra
- 1775 to 1776
89
- Study of a Group of Figures and a Study of a Man's Head
- undated
90
- Wolf
- 1764
91
- One Side of a Coin with Inscription
- undated
92
- A Vase
- undated
93
- Priory Old House, Thetford
- 1777
94
- View of Isleworth Church
- undated
95
- Distant View of Church
- undated
96
- View of a House
- undated
97
- The Grotto at Posillipo
- ca. 1782
98
- Mr. Grose's House at Wandsworth
- 1767
99
- Snipe Shooting
- ca. 1790
100
- Self-Portrait, Hunting: in a Scarlet Coat and Tall Hat
- ca. 1821