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Materials & Techniques laid paper

Remove constraint Materials & Techniques: laid paper

Creator Furstenberg, Theodore Casper von, ca. 1615–1675

Remove constraint Creator: Furstenberg, Theodore Casper von, ca. 1615–1675

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Fridericus D. G., Marchio Badensis et Hachberg
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 8 11/16 inches (29 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fridericus D. G., Marchio Badensis et Hachberg
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 15/16 x 9 13/16 inches (32.9 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Head of St. John Baptist on a Charger
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
ca. 1656
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Head of Christ, Crowned with Thorns
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
between 1656 and 1675
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 6 1/8 inches (21.8 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Archduke Leopold Wilhelm of Austria
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
1656
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 4 5/8 inches (14.6 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund