Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
22
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
23
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
24
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
25
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
26
Print made by Arthur Pond, ca. 1705–1758
Caricature Heads of a Pope and Six Cardinals
1736
27
unknown artist
The Coast of Sussex from the Downs
undated
28
pupil of Alexander Cozens, 1717–1786
A Road in a Mountain Landscape with Trees to the Right
ca. 1780
29
John Robert Cozens, 1752–1797
Upon the Aare between Unterseen and the Lake of Brientz
1776
30
John Robert Cozens, 1752–1797
The Lake of Geneva from the Canton of Berne
1776
31
John Robert Cozens, 1752–1797
On the Lake of Nemi
between 1780 and 1783
32
George Dance, 1741–1825
Two Ladies Standing in Conversation, Presumably a Scene from a Play
undated
33
Augustus Edwin John, 1878–1961
Standing Nude Youth with Outstretched Arms
undated
34
Heneage Finch, 4th Earl of Aylesford, 1751–1812
Longleat from Park Hill
undated
35
Thomas Theodosius Forrest, 1728–1784
Theodosius Forrest
undated
36
imitator of Thomas Gainsborough, 1727–1788
Cattle Watering by a Stream
undated
37
Sawrey Gilpin, 1733–1807
Lion Walking in Rocky Landscape
undated
38
Samuel Buck, 1696–1779
The South-East View of Rochester Castle
1735
39
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
40
Sawrey Gilpin, 1733–1807
Cattle with a Farmer in their midst
undated
41
Print made by John Raphael Smith, 1752–1812
Lord Richard Cavendish
1781
42
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
43
James Seymour, 1702–1752
Horse Walking to Left
undated
44
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
45
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
46
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
47
James Seymour, 1702–1752
A Horse Lying Down
undated
48
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
49
James Seymour, 1702–1752
A Hound Facing Left
undated
50
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
51
James Seymour, 1702–1752
Studies of Stags' Heads
undated
52
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
53
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 2
1757
54
Print made by Ernest Stephen Lumsden, 1883–1948
Jaipur, Morning
1913
55
Print made by unknown artist
Key to Life School at the Royal Academy
1794
56
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
57
Dominic Serres, 1722–1793
Warships Preparing to Sail from their Anchorage
1782
58
George Lambert, 1700–1765
A Village Pond with Farm Buildings
undated
59
George Lambert, 1700–1765
A Woody Landscape
undated
60
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
61
Thomas Rowlandson, 1756–1827
Study of a Hulk
undated
62
Alexander Cozens, 1717–1786
The Glade
ca. 1750
63
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
64
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
65
imitator of Thomas Gainsborough, 1727–1788
Coastal Scene with Figures and Boats
undated
66
Capt. Francis Grose, 1731–1791
View of Ipswich, Suffolk
1765
67
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
68
John Dixon, ca. 1740–1811
David Garrick, Esq
1779
69
Benjamin West, 1738–1820
The Three Sisters
1783
70
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807
71
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk, West Front
ca. 1804
72
Print made by James Basire, 1730–1802
The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
1780
73
Print made by James Basire, 1730–1802
The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
1780
74
Print made by James Basire, 1730–1802
The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
1780
75
Print made by James Basire, 1730–1802
The North Front of the Monument of King Sebert, Plate IV
1780
76
Print made by James Basire, 1730–1802
The Figures Supposed to be those of King Sebert and King Henry III, Plate V
1780
77
Print made by James Basire, 1730–1802
Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
1780
78
Print made by David Lucas, 1802–1881
A Mill
1830
79
Dr. William Crotch, 1775–1847
Battle Abbey, Sept. 8, 1807
1807
80
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
81
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
82
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
83
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
84
Print made by James Watson, 1740–1790
Margaret Georgiana, Viscountess of Spencer and Her Daughter
undated
85
Print made by William Dickinson, 1746–1823
Richard Grenville-Temple, 2nd Earl Temple
1778
86
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
87
Print made by George Keating, 1762–1842
Lady Hamilton as St. Cecilia
1789
88
Print made by John Raphael Smith, 1752–1812
Mrs. Stables and Two Daughters Harriet & Maria
1781
89
Print made by John Raphael Smith, 1752–1812
Henrietta Countess of Warwick
1780
90
Print made by James Watson, 1740–1790
Right Hon. Augustus Hervey
1773
91
Print made by Thomas Park, ca. 1760–1834
The Honorable Mrs. Watson
ca. 1785
92
Print made by John Young, 1755–1825
George Canning
1803
93
Print made by James Watson, 1740–1790
Margaret Caroline, Countess of Carlisle
1776
94
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
95
Print made by John Raphael Smith, 1752–1812
Lady Catherine Pelham Clinton
1782
96
Print made by John Dixon, ca. 1740–1811
Miss Emma and Miss Elizabeth Crewe
ca. 1782
97
Print made by John Dean, 1754–1798
Lady Elizabeth Herbert and Son
1778
98
Print made by Thomas Watson, 1743–1781
Warren Hastings
ca. 1777
99
Print made by John Raphael Smith, 1752–1812
Master Henry George Herbert as the 'Infant Bacchus'