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Hope near Bergen
Creator:
Francis Danby, 1793–1861
Date:
ca. 1840
Materials & Techniques:
Brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Helmingham: The Silent Pool
Creator:
John Constable, 1776–1837
Date:
ca. 1800
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 11 7/8 inches (18.1 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dedham Vale from Langham
Creator:
John Constable, 1776–1837
Date:
ca. 1813
Materials & Techniques:
Graphite on medium, rough, beige laid paper
Dimensions:
Sheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Slope with a Receding Road
Creator:
John Constable, 1776–1837
Date:
ca. 1805
Materials & Techniques:
Black chalk with white chalk on medium, rough, beige laid paper
Dimensions:
Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape at East Bergholt
Creator:
John Constable, 1776–1837
Date:
ca. 1805
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 x 8 1/2 inches (17.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Hobson of Markfield and Family
Creator:
John Constable, 1776–1837
Date:
ca. 1806
Materials & Techniques:
Graphite, gray wash, and watercolor on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 4 1/4 x 6 7/8 inches (10.8 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
between 1880 and 1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
At Edgware Row
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Landscape in Westmoreland
Creator:
George Romney, 1734–1802
Date:
1767
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist
Date:
1553
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hamlet in Scotland
Creator:
Print made by Robert Dighton, 1752–1814
Date:
1794
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Trees in the Villa Negroni Planted by M. Angelo
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Old London, View from St. James Park Looking East
Creator:
William Henry Pyne, 1769–1843
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 12 3/4in. (19.7 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brougham Castle
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor, wash, and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 13 1/4 inches (22.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Iron Forge on the River Kent, Westmorland
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 11 1/8 inches (27.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nottingham Castle
Creator:
Paul Sandby, 1731–1809
Date:
1759
Materials & Techniques:
Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 14 3/8 inches (14 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
At Steyning - Sussex
Creator:
John Inigo Richards, 1730/31?–1810
Date:
1795
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside of Castle Gate, Taunton, Somerset
Creator:
John Inigo Richards, 1730/31?–1810
Date:
1752
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bewdley Bridge, Worcester
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Badminton Church and Part of the Duke of Beaufort's House
Creator:
Luke Sullivan, 1705–1771
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sculpted Plinth in the Villa Medici
Creator:
Richard Wilson, ca. 1712–1782
Date:
undated
Materials & Techniques:
Black chalk and white gouache on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 7 1/2 x 9 5/8 inches (19.1 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cascade at Terni
Creator:
Richard Wilson, ca. 1712–1782
Date:
undated
Materials & Techniques:
Black chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Approach to Hastings
Creator:
George Barret Jr., 1767–1842
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
In Borrowdale
Creator:
Joseph Powell, 1780–1834
Date:
undated
Materials & Techniques:
Watercolor, black chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 1/4 inches (20 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks
Creator:
Richard Wilson, ca. 1712–1782
Date:
ca. 1753
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 11 9/16 inches (20.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Figures for "A View of the Campagna"
Creator:
Richard Wilson, ca. 1712–1782
Date:
ca. 1755
Materials & Techniques:
Black chalk and white gouache on medium, rough, brown laid paper mounted on card
Dimensions:
Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Creator:
Paul Sandby, 1731–1809
Date:
1802
Materials & Techniques:
Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wychwood Forest
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1806
Materials & Techniques:
Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:
Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Old Bridge, Vernon
Creator:
Frederick Goulding, 1842–1909
Date:
1879
Materials & Techniques:
Etching on moderately thick, slightly texture, beige laid paper
Dimensions:
Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky
Summer Morning
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 17 inches (28.6 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Summerland
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 15 inches (26.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weymouth Bay, Dorsetshire
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 11 3/4 inches (24.1 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samphire Rock, St. Agnes, Cornwall
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Black and white chalk on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
A Ship in Distress
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 x 21 13/16 inches (37.8 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Verona, Hay Barge on the Medway, and a Calvary (three prints)
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
after 1833
Materials & Techniques:
Transfer lithograph on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paysan des Alpes
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
1769-1770
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 7 15/16 inches (24.7 x 20.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paysanne de la France
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
1769-1770
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 7 11/16 inches (24.5 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. A Mill

A Mill
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 15 inches (26.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill Stream
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 17 inches (28.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Spring

Spring
Creator:
Print made by David Lucas, 1802–1881
Date:
1829 to 1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 17 inches (29.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the River Stour
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 16 inches (28.6 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Egham

Egham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Minerva Medica, Rome
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, moderately textured cream laid paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
Springtime at Fulham
Creator:
Print made by Robert Austin, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Capitol, Rome
Creator:
Print made by Robert Austin, 1895–1973
Date:
1923
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 12 3/16 inches (21.6 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Veronica [North Italian Set: No. 2]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1895
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 7 3/8 inches (33 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The North Porch, Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching with drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 9 inches (43.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The North Porch, Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 10 3/8 inches (40 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Notre Dame, Dinant [Belgian Set: No. 8]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Valley of the Ardennes [Belgian Set: No. 10]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Carthusian Convent at Trisulto, near Alatri
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the River Liris at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace etc at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the River Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the river Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near the Convent of S. Cosimato, in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Romans Polite to Strangers
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse of Ostend
Creator:
Print made by Robert Austin, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Cathedral, Palma
Creator:
Print made by Robert Austin, 1895–1973
Date:
1928
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Venetian Fountain [North Italian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Palace Doorway [North Italian Set: No. 22]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1895
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Porta del Molo, Genoa [North Italian Set: No. 23]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1896
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Montivilliers
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 3/8 inches (23.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Chimera of Amiens
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1910
Materials & Techniques:
Etching and drypoint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 22 5/8 inches (41.9 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 22 5/16 inches (41.3 x 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Convento del Carmine, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monastery of La Trappe, at Casamare
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/4 inches (39.7 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Remains of the Claudian Aqueduct near the Convent of S. Cosimato
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Convent of St. Cosimato, and part of the Claudian Aqueduct
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Civita Castellana, between Narni and Rome
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 6 3/4 inches (22.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Jupiter Tonans
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 6 3/8 inches (16.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Convent of Monte Olivetto near Florence
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castel Gandolfo
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1780
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 7 3/8 inches (13 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Venus near Baia
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 6 1/4 inches (13.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baia, Italy
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 9 1/2 inches (11.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Amphitheater seen from S. Pietro in Vinculo
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 8 1/4 inches (14.9 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baths of Dioclesian
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, white laid paper
Dimensions:
Sheet: 3 7/8 x 7 1/2 inches (9.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection