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Materials & Techniques laid paper

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Period 19th century

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Subject Terms Gothic Revival

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James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
1838