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Collection
Prints and Drawings
34
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Lupton, Thomas Goff, 1791–1873
5
Reynolds, Samuel William, 1773–1835
5
Cooke, William Bernard, 1778–1855
3
Say, William, 1768–1834
3
Dawe, Henry E., 1790–1848
2
Harlow, George Henry, 1787–1819
2
Reynolds, Joshua, Sir, 1723–1792
2
Turner, Charles, 1774–1857
2
Allason, Thomas, 1790–1852
1
Beaumont, George Howland, Sir, 1753–1827
1
Cooke, George, 1781–1834
1
Engelmann, Godefroy, 1788–1839
1
Gillray, James, 1756–1815
1
Harding, James Duffield, 1798–1863
1
Jacob, Nicholas Henry, 1781–1871
1
Middiman, Samuel, ca. 1750–1831
1
Pye, John, 1782–1874
1
Raimbach, Abraham, 1784–1868
1
Rodwell, & Martin, active 1819–1835
1
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1745
459
1749
350
1782
240
1767
224
1748
206
1775
206
1773
201
1764
195
1752
191
1790
186
1791
186
1630
178
1785
177
1772
173
1768
157
1780
147
1784
141
1738
138
1755
137
1700
124
1758
120
1763
114
1789
112
1771
108
1778
105
1786
104
1765
103
1717
101
1776
100
1770
95
1777
90
1788
90
1740
89
1779
88
1783
85
1760
84
1762
84
1792
83
1674
82
1802
79
1795
74
1808
73
1804
70
1667
67
1769
67
1787
67
1750
66
1746
65
1754
65
1793
63
1705
62
1751
59
1800
59
1675
57
1781
57
1715
55
1756
53
1889
51
1888
50
1807
49
1799
48
1690
47
1742
47
1753
47
1774
46
1816
45
1757
44
1877
44
1739
43
1680
41
1730
41
1741
41
1747
41
1761
41
1806
41
1729
39
1719
36
1766
36
1563
35
1736
34
1737
34
1810
34
1819
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34
1744
33
1794
33
1796
33
1805
32
1818
32
1568
30
1809
30
1699
29
1728
29
1801
29
1803
29
1859
29
1811
28
1830
28
1735
27
1743
27
1827
27
On-site Access
Accessible by appointment in the Study Room
34
Image Use
Free to Use
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34
Image Available
Available
34
Classification
Prints
29
Drawings & Watercolors
5
Creator Gender
male
34
Collective Title
Liber Studiorum
14
Cooke's Views in Sussex
3
Whitaker's History of Richmondshire
2
Period
19th century
34
Materials & Techniques
laid paper
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34
mezzotint
21
etching (printing process)
20
brown ink
16
graphite
5
line engraving
5
watercolor
4
chine collé
2
gouache
2
pen
2
wove paper
2
Engraving
1
black chalk
1
black ink
1
gray wash
1
hand coloring
1
lithography
1
red ink
1
Height [cm]
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66
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77
Work Type
intaglio print
28
drawing
4
watercolor
4
planographic print
1
Genre
landscape
22
architectural subject
8
portrait
5
genre subject
4
religious and mythological subject
4
cityscape
2
animal art
1
literary theme
1
Subject Terms
landscape
4
religious and mythological subject
4
cityscape
3
arch
2
landscape (representation)
2
man
2
men
2
portrait
2
river
2
rivers
2
sunlight
2
tree
2
trees
2
water well
2
woman
2
women
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Classical Mythology and Ancient History
1
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Subject Terms
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Associated Places
England
3
United Kingdom
3
Durham
2
Greta
2
Rokeby
2
Tees
2
Asia
1
Campagna
1
Hampshire
1
Israel
1
Lyons
1
Rhône
1
Samaria
1
Southampton
1
Associated People
Aesacus
1
Christ
1
Harcourt, Mary (née Danby), Countess of Harcourt (1749 or 1750—1833)
1
Hercules
1
Hesperie
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Senefelder, Johann Alois (1771–1834), actor, playwright, and inventor of lithography
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art; Yale University Art Gallery Collection
2
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Materials & Techniques
laid paper
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Date
1819
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1
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
9
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
11
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
12
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
16
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819
17
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
18
Isaac Weld, 1774–1856
Vesuvius in Eruption
1819
19
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
20
Sir George Howland Beaumont seventh Baronet, 1753–1827
Valley of Gothe
1819
21
Albert Fleetwood Varley, 1804–1876
Swan Lake, Craven Hill, Bayswater
undated
22
Print made by Abraham Wivell, 1786–1899
James Northcote
1819
23
Print made by William Say, 1768–1834
Frances Countess of Wicklow
1819
24
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
25
Print made by William James Ward, ca. 1800–1840
The Infant Hercules
1819
26
Print made by Samuel William Reynolds, 1773–1835
Mary Countess Harcourt
ca. 1824
27
Abraham Raimbach, 1784–1868
The Cut Finger
1819
28
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
29
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
30
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
31
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
32
Charles Turner, 1774–1857
James Gillray
1819
33
Print made by Charles Turner, 1774–1857
James Montgomery Esquire
1819
34
Print made by George Cooke, 1781–1834
Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples
1819