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Collection
Prints and Drawings
35
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Lupton, Thomas Goff, 1791–1873
5
Reynolds, Samuel William, 1773–1835
5
Cooke, William Bernard, 1778–1855
3
Say, William, 1768–1834
3
Dawe, Henry E., 1790–1848
2
Harlow, George Henry, 1787–1819
2
Reynolds, Joshua, Sir, 1723–1792
2
Turner, Charles, 1774–1857
2
Allason, Thomas, 1790–1852
1
Beaumont, George Howland, Sir, 1753–1827
1
Cooke, George, 1781–1834
1
Engelmann, Godefroy, 1788–1839
1
Gillray, James, 1756–1815
1
Harding, James Duffield, 1798–1863
1
Hayter, George, Sir, 1792–1871
1
Jacob, Nicholas Henry, 1781–1871
1
Middiman, Samuel, ca. 1750–1831
1
Pye, John, 1782–1874
1
Raimbach, Abraham, 1784–1868
1
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1745
471
1782
243
1790
240
1775
230
1767
228
1770
212
1773
209
1748
206
1752
199
1785
199
1764
197
1791
187
1630
178
1772
175
1768
174
1780
173
1700
162
0
154
1755
152
1738
145
1784
142
1789
141
1765
132
1758
123
1763
120
1771
116
1778
111
1786
106
1783
104
1749
102
1717
101
1740
101
1760
101
1776
101
1777
93
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91
1788
91
1762
90
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87
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85
1792
84
1674
82
1769
79
1802
79
1800
76
1808
73
1746
70
1750
70
1804
70
1729
68
1667
67
1754
67
1787
66
1751
63
1705
62
1781
62
1756
58
1675
57
1715
55
1747
55
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55
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54
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51
1736
50
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50
1807
49
1921
49
1690
48
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48
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47
1774
47
1732
45
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45
1816
45
1877
45
1728
44
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44
1761
44
1925
44
1741
43
1680
42
1730
41
1806
41
1766
38
1719
36
1737
36
1563
35
1819
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35
1744
34
1810
34
1794
33
1796
33
1805
32
1818
32
1893
32
1801
31
1568
30
1743
30
1803
30
1809
30
On-site Access
Accessible in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
35
New Additions
2024-2025
1
Classification
Prints
29
Drawings & Watercolors
6
Creator Gender
male
35
Collective Title
Liber Studiorum
14
Cooke's Views in Sussex
3
Whitaker's History of Richmondshire
2
Period
19th century
35
Materials & Techniques
laid paper
[remove]
35
mezzotint
21
etching (printing process)
20
brown ink
16
graphite
6
line engraving
5
watercolor
4
chine collé
2
gouache
2
pen
2
wove paper
2
Engraving
1
black chalk
1
black ink
1
gray wash
1
hand coloring
1
lithography
1
red ink
1
Height [cm]
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66
Width [cm]
Width [cm] range begin
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Current results range from
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77
Work Type
intaglio print
28
drawing
5
watercolor
4
planographic print
1
Genre
landscape
22
architectural subject
8
portrait
6
genre subject
4
religious and mythological subject
4
cityscape
2
animal art
1
literary theme
1
Subject Terms
landscape
4
religious and mythological subject
4
cityscape
3
arch
2
landscape (representation)
2
man
2
men
2
portrait
2
river
2
rivers
2
sunlight
2
tree
2
trees
2
water well
2
woman
2
women
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Classical Mythology and Ancient History
1
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Subject Terms
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Associated Places
England
3
United Kingdom
3
Durham
2
Greta
2
Rokeby
2
Tees
2
Asia
1
Campagna
1
Hampshire
1
Israel
1
Lyons
1
Rhône
1
Samaria
1
Southampton
1
Associated People
Aesacus
1
Christ
1
Harcourt, Mary (née Danby), Countess of Harcourt (1749 or 1750—1833)
1
Hercules
1
Hesperie
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Senefelder, Johann Alois (1771–1834), actor, playwright, and inventor of lithography
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art; Yale University Art Gallery Collection
2
Yale Center for British Art, Gift from the Collection of Matthew Rutenberg
1
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Materials & Techniques
laid paper
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Date
1819
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1
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
7
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
12
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
14
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
16
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819
17
Print made by Abraham Wivell, 1786–1899
James Northcote
1819
18
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
19
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
20
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
21
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
22
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
23
Abraham Raimbach, 1784–1868
The Cut Finger
1819
24
Sir George Howland Beaumont seventh Baronet, 1753–1827
Valley of Gothe
1819
25
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
26
Print made by William James Ward, ca. 1800–1840
The Infant Hercules
1819
27
Isaac Weld, 1774–1856
Vesuvius in Eruption
1819
28
Print made by Samuel William Reynolds, 1773–1835
Mary Countess Harcourt
ca. 1824
29
Print made by William Say, 1768–1834
Frances Countess of Wicklow
1819
30
Albert Fleetwood Varley, 1804–1876
Swan Lake, Craven Hill, Bayswater
undated
31
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
32
Charles Turner, 1774–1857
James Gillray
1819
33
Print made by George Cooke, 1781–1834
Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples
1819
34
Print made by Charles Turner, 1774–1857
James Montgomery Esquire
1819
35
Sir George Hayter, 1792–1871
Portrait of a Man (Mr. Ogle, Esq.)
ca. 1824