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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
39
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
27
Turner, Charles, 1774–1857
7
Dawe, Henry E., 1790–1848
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Smith, Anker., 1759–1819
4
Cooke, William Bernard, 1778–1855
3
Lupton, Thomas Goff, 1791–1873
3
Say, William, 1768–1834
3
Hodgetts, Thomas, active 1801–1846
2
Unknown artist
2
Barber, Thomas, 1771–1843
1
Bauzil, Juan, Spanish, 1766 - 1820
1
Beechey, William, Sir, 1753–1839
1
Bromley, William, 1769–1842
1
Cadell, Thomas, 1773–1836
1
Fry, William Thomas, 1789–1843
1
Hargreaves, Thomas, 1774–1847
1
Hogarth, William, 1697–1764
1
Reynolds, Joshua, Sir, 1723–1792
1
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Date
1782
193
1630
176
1674
80
1667
66
1776
65
1779
64
1789
61
1808
60
1780
59
1755
58
1773
55
1775
54
1778
53
1786
52
1675
51
1738
51
1771
49
1772
47
1770
46
1785
46
1788
46
1784
44
1769
43
1791
43
1777
41
1781
41
1792
41
1700
40
1754
40
1765
39
1816
[remove]
39
1925
39
1750
38
1783
38
1680
37
1745
37
1807
37
1719
36
1741
36
1563
35
1790
32
1690
31
1568
30
1760
30
1774
30
1740
29
1742
29
1751
29
1819
29
1739
28
1767
28
1787
28
1859
28
1915
28
1927
28
1762
26
1764
26
1923
26
1757
25
1768
25
1737
24
1913
24
1559
23
1642
23
1921
23
1746
22
1818
22
1823
22
1916
22
1926
22
1928
22
1929
22
1731
21
1735
21
1796
21
1864
21
1917
21
1920
21
1710
20
1748
20
1904
20
1922
20
1628
19
1729
19
1753
19
1756
19
1806
19
1809
19
1900
19
1763
18
1912
18
1679
17
1715
17
1744
17
1758
17
1766
17
1803
17
1830
17
1887
17
1909
17
On-site Access
Accessible by appointment in the Study Room
39
Image Use
Free to Use
39
Image Available
Available
36
Unavailable
3
Classification
Prints
[remove]
39
Creator Gender
male
38
unknown
2
Collective Title
Liber Studiorum
23
Illustrations from Camden's 'The imperial history of England'
6
Cooke's Views in Sussex
2
Cooke's Picturesque Views of the Southern Coast of England
1
Iconographie Anglaise par Reynolds et Autres
1
The British Gallery of Contemporary Portraits
1
Whitaker's 'Loidis and Elmete,' 1816
1
Period
19th century
39
Materials & Techniques
laid paper
[remove]
39
etching (printing process)
33
mezzotint
28
brown ink
23
line engraving
10
aquatint
1
engraving (printing process)
1
wove paper
1
Height [cm]
Height [cm] range begin
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73
Width [cm]
Width [cm] range begin
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Current results range from
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59
Work Type
intaglio print
39
Genre
landscape
23
architectural subject
12
historical subject
7
marine art
5
military art
3
portrait
3
religious and mythological subject
3
cityscape
1
genre subject
1
literary theme
1
Subject Terms
frame (furnishing)
5
historical subject
5
marine art
4
bridge
3
channel (water body component)
3
death
3
landscape (representation)
3
religious and mythological subject
3
river
3
abbey
2
mourning
2
plague
2
stairs
2
woman
2
Old Testament
1
assassination
1
bay (body of water)
1
bed
1
bed (furniture)
1
bow
1
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Subject Terms
»
Associated Places
France
6
Alps
3
Arve
3
Bonneville
3
Calais
3
Dover, Strait of
3
English Channel
3
United Kingdom
3
Dunblane
2
Dunblane Cathedral
2
Scotland
2
Africa
1
Carrick Roads
1
Cornwall
1
Denmark
1
Egypt
1
England
1
Europe
1
Falmouth
1
Falmouth Bay
1
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Associated Places
»
Associated People
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Cupid
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Psyche
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
4
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art; Yale University Art Gallery Collection
2
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Materials & Techniques
laid paper
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Date
1816
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Prints
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
11
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
12
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
21
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
22
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
23
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
24
Print made by unknown artist
Flower Garden Porch at Farnley
1816
25
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
26
Print made by William Say, 1768–1834
Cupid and Psyche
1816
27
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
28
Attributed to Henry Dawe, 1790–1848
Raglan Castle
1816
29
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
30
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
31
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
32
Print made by Anker Smith, 1759–1819
Alfred in the Danish Camp
1816
33
Print made by Anker Smith, 1759–1819
Attempt to Assassinate Prince Edward in Palestine
1816
34
Print made by Anker Smith, 1759–1819
Lady Elizabeth Grey's Interview with Edward IV
1816
35
Print made by William Bromley, 1769–1842
Death of Henry IV
1816
36
Print made by unknown artist
Caractacus before Claudius
1816
37
Charles Turner, 1774–1857
John, Earl of St. Vincent
1816
38
Print made by William Thomas Fry, 1789–1843
James Currie, M.D. F.R.S
1816
39
Print made by Charles Turner, 1774–1857
Thomas William Coke Esq, MP for Norfolk
1816