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Collection
Prints and Drawings
23
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
23
Dawe, Henry E., 1790–1848
6
Turner, Charles, 1774–1857
4
Cooke, William Bernard, 1778–1855
3
Lupton, Thomas Goff, 1791–1873
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Date
1767
119
1764
92
1745
76
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73
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69
1762
48
1786
39
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1816
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1795
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1819
22
1859
22
1748
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1749
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1787
18
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1830
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1697
6
On-site Access
Accessible by appointment in the Study Room
23
Image Use
Free to Use
23
Image Available
Available
23
Classification
Prints
23
Creator Gender
male
23
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
2
Cooke's Picturesque Views of the Southern Coast of England
1
Period
19th century
23
Materials & Techniques
etching (printing process)
23
laid paper
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23
brown ink
20
mezzotint
20
line engraving
2
engraving (printing process)
1
Height [cm]
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16
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39
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Current results range from
24
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55
Work Type
intaglio print
23
Genre
landscape
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23
architectural subject
11
marine art
2
religious and mythological subject
2
cityscape
1
Subject Terms
bridge
3
landscape (representation)
3
river
3
abbey
2
death
2
mourning
2
plague
2
religious and mythological subject
2
stairs
2
Old Testament
1
bay (body of water)
1
branches
1
castle
1
child
1
city
1
cityscape
1
family
1
foliage
1
hill
1
inlet
1
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Associated Places
Alps
3
Arve
3
Bonneville
3
France
3
United Kingdom
3
Dunblane
2
Dunblane Cathedral
2
Scotland
2
Africa
1
Carrick Roads
1
Cornwall
1
Egypt
1
England
1
Europe
1
Falmouth
1
Falmouth Bay
1
Pendennis Castle
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
4
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
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Materials & Techniques
laid paper
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Date
1816
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landscape
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1
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
2
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
14
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
20
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
21
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
22
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
23
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816