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Collection
Prints and Drawings
79
Creator
Smirke the Younger, Robert, Sir, 1781–1867
43
Malton, James, 1761–1803
16
André, Philipp, active 1801–1805
2
Daniell, Samuel, 1775–1811
2
Vollweiler, Georg Jacob, active 1805–1807
2
Burney, Edward Francis, 1760–1848
1
Corbould, Richard, 1757–1831
1
Cotman, John Sell, 1782–1842
1
Delamotte, William Alfred, 1775–1863
1
Edridge, Henry, 1769–1821
1
Etty, William, 1787–1849
1
Fores, S. W., 1761–1838
1
Frankland, Robert Baronet, 1784–1849
1
Fuseli, Henry, 1741–1825
1
Girtin, Thomas, 1775–1802
1
Howitt, Samuel, 1756–1822
1
Nicholson, Peter, 1765–1844
1
Pearce, William, 1764–c.1799
1
Reynolds, Joshua, Sir, 1723–1792
1
Reynolds, Samuel William, 1773–1835
1
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Creator
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Date
1745
459
1749
351
1782
241
1767
225
1748
206
1775
206
1773
201
0
200
1764
195
1752
191
1790
186
1791
186
1630
178
1785
177
1772
174
1700
162
1768
157
1780
147
1784
141
1738
138
1755
137
1758
120
1763
114
1789
113
1771
108
1765
105
1778
105
1786
104
1776
102
1717
101
1770
98
1777
92
1788
90
1740
89
1779
88
1783
85
1760
84
1762
84
1792
83
1674
82
1802
[remove]
79
1795
77
1800
76
1808
73
1804
70
1769
68
1787
68
1667
67
1750
67
1746
65
1754
65
1793
63
1705
62
1751
59
1781
58
1675
57
1715
55
1889
55
1888
54
1756
53
1742
50
1807
49
1690
48
1799
48
1753
47
1774
47
1816
45
1757
44
1877
44
1925
44
1739
43
1680
41
1730
41
1741
41
1747
41
1761
41
1806
41
1729
39
1719
36
1766
36
1563
35
1736
34
1737
34
1810
34
1819
34
1744
33
1794
33
1796
33
1805
32
1818
32
1893
32
1801
31
1568
30
1803
30
1809
30
1916
30
1923
30
1699
29
1728
29
1811
29
On-site Access
Accessible by appointment in the Study Room
79
Image Use
Free to Use
79
Image Available
Available
75
Unavailable
4
Classification
Drawings & Watercolors
60
Drawing & Watercolors-Architectural
10
Prints
9
Creator Gender
male
79
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Specimens of Polyautography
4
Iconographie Anglaise par Reynolds et Autres
1
Period
19th century
79
Materials & Techniques
laid paper
[remove]
79
graphite
68
pen
18
black ink
13
brown ink
13
watercolor
10
gray wash
9
brown wash
7
lithography
4
mezzotint
3
pens
3
Engraving
1
black wash
1
cartridge paper
1
etching (printing process)
1
gouache
1
gray ink
1
hand coloring
1
marbling
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
66
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
78
Work Type
drawing
69
watercolor
24
intaglio print
5
planographic print
4
Genre
architectural subject
48
landscape
13
cityscape
6
genre subject
6
figure study
4
historical subject
2
literary theme
2
still life
2
animal art
1
marine art
1
portrait
1
Subject Terms
architectural subject
20
country house
12
windows
11
trees
10
house
8
Architectural rendering
7
mullions
7
preparatory drawing
7
Architectural design
6
Gothic Revival
6
Gothic architectural decoration
6
Gothic architectural drawing
6
Gothic architecture
6
cottage
6
design drawing
6
door
6
home
6
lancets
6
crenelations
5
lancet windows
5
more
Subject Terms
»
Associated Places
United Kingdom
5
England
3
Europe
3
Africa
2
France
1
Glasgow
1
Kent
1
Lyon
1
Maidstone
1
Mont Blanc
1
North Yorkshire
1
Norwich
1
Paisley
1
Sandsend
1
Scarborough
1
Scotland
1
Whitby
1
Windsor
1
Windsor Castle
1
Windsor and Maidenhead
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
70
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
3
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
1
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1
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
2
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
10
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
11
Edward Francis Burney, 1760–1848
Farmhouse
1802
12
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
13
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
14
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802
15
Print made by Henry Fuseli, 1741–1825
O Evening thou Bringest All
1802
16
Sir Robert Smirke the younger, 1781–1867
Farmhouse
1802-1804
17
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
18
Sir Robert Smirke the younger, 1781–1867
Ancient Inscriptions in Greek Alphabet
1802-1804
19
Sir Robert Smirke the younger, 1781–1867
Malta
1802-1804
20
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at Temple of Minerva
1802-1804
21
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
22
Sir Robert Smirke the younger, 1781–1867
Under Moldings of the Cornice at the Temple of Minerva
1802-1804
23
Sir Robert Smirke the younger, 1781–1867
In the Friedrich's Shape
1802-1804
24
Sir Robert Smirke the younger, 1781–1867
Jungfern Bridge
1802-1804
25
Sir Robert Smirke the younger, 1781–1867
Sketch of a City in Prague
1802-1804
26
Sir Robert Smirke the younger, 1781–1867
Part of the Exchange Building
1802-1804
27
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
28
Sir Robert Smirke the younger, 1781–1867
Raby Castle
1802-1804
29
Sir Robert Smirke the younger, 1781–1867
Study of a Portion of a Decorative Canopy in Litchfield Cathedral
1802-1804
30
Sir Robert Smirke the younger, 1781–1867
Study Sketches of Interior in St. George's Chapel
1802-1804
31
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at the Temple of Minerva
1802-1804
32
Sir Robert Smirke the younger, 1781–1867
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea
1802-1804
33
Sir Robert Smirke the younger, 1781–1867
Capital of the Columns of the Temple of Minerva
1802-1804
34
Sir Robert Smirke the younger, 1781–1867
Moldings on the Temple of Minerva
1802-1804
35
Sir Robert Smirke the younger, 1781–1867
Studies of Serving Vessels From Antiquity
1802-1804
36
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
37
Sir Robert Smirke the younger, 1781–1867
Entrance of a Ruined Structure
1802-1804
38
Sir Robert Smirke the younger, 1781–1867
Gate of San Gallo, Florence
1802-1804
39
Sir Robert Smirke the younger, 1781–1867
Castle of Sarzana
1802-1804
40
Sir Robert Smirke the younger, 1781–1867
Road to Sarzana
1802-1804
41
Sir Robert Smirke the younger, 1781–1867
Rattenberg, Austraia
1802-1804
42
Sir Robert Smirke the younger, 1781–1867
Tombstone
1802-1804
43
Sir Robert Smirke the younger, 1781–1867
Study of an Ornamental Chair
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Sketch of a Sculpture of the Face of a Mythical Creature
1802-1804
45
Sir Robert Smirke the younger, 1781–1867
Raby Castle
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Sketches of St. George's Chapel and Square
1802-1804
47
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
48
Print made by William Say, 1768–1834
The Cottar's Door
1802
49
Attributed to William Etty, 1787–1849
Sheet of sketches
undated
50
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
51
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
52
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
53
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
54
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
55
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
56
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
57
Sir Robert Smirke the younger, 1781–1867
Malta
1802-1804
58
Sir Robert Smirke the younger, 1781–1867
Sketch of the Line of the Shaft and Inner Angle of the Abacus
1802-1804
59
Sir Robert Smirke the younger, 1781–1867
Sienna
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
61
Sir Robert Smirke the younger, 1781–1867
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
1802-1804
62
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
63
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
64
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
65
Sir Robert Smirke the younger, 1781–1867
Les Ares
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Aix-en-Provence
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Road to Sarzana
1802-1804
68
Sir Robert Smirke the younger, 1781–1867
Sketch of the Finished Part of One of the Public Buildings
1802-1804
69
Samuel Howitt, 1756–1822
A Tigress Leaping to the Right
ca. 1807
70
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
71
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807
72
Samuel Daniell, 1775–1811
Korah Girl with a Jar
1802
73
Samuel Daniell, 1775–1811
Korah Girl Seated
1802
74
Peter Nicholson, 1765–1844
Barshaw House
1802
75
Robert, Frankland, baronet, 1784–1849
Caricature of Beau Nash
1802
76
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
77
Print made by William Alfred Delamotte, 1775–1863
Resting, Men and Dogs Under a Big Tree
1802
78
Samuel William Reynolds, 1773–1835
Francis, Late Duke of Bedford
1802
79
Print made by Charles Williams, active 1796–1830
The Brazen Image erected on a Pedestal wrought by Himself
1802