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Collection
Prints and Drawings
3
Creator
Barralet, John James, 1747–1815
2
Parker, James, 1750–1805
2
More, Jacob, 1740–1793
1
Date
1745
13
1747
8
1776
7
1785
7
1772
6
1830
5
1901
5
1733
4
1755
4
1775
4
1819
4
1739
3
1762
3
1763
3
1770
3
1778
3
1781
3
1783
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3
1784
3
1792
3
1795
3
1799
3
1803
3
1818
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1820
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1700
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1710
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1730
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1736
2
1749
2
1753
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1761
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1769
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1773
2
1774
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1780
2
1789
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1808
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1809
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1831
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1921
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1925
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1927
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1929
2
1546
1
1618
1
1624
1
1658
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1702
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1705
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1719
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1726
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1729
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1737
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1738
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1740
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1741
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1742
1
1746
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1751
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1758
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1765
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1767
1
1779
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1782
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1786
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1787
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1788
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1791
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1796
1
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1807
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1813
1
1814
1
1815
1
1816
1
1821
1
1822
1
1826
1
1860
1
1862
1
1888
1
1900
1
1908
1
1919
1
1922
1
1923
1
1930
1
On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
2
Drawings & Watercolors
1
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
laid paper
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3
black ink
1
etching (printing process)
1
graphite
1
gray wash
1
line engraving
1
stipple engraving
1
watercolor
1
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77
Work Type
intaglio print
2
drawing
1
watercolor
1
Genre
literary theme
2
landscape
1
Subject Terms
Grand Tour
1
buildings
1
discussion (meeting)
1
gesturing
1
hills
1
houses
1
landscape
1
man
1
mountains
1
path
1
pointing
1
resting
1
road
1
trees
1
woman
1
Associated Places
Europe
1
Horace's Villa
1
Italy
1
Lazio
1
Licenza
1
Roma
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Materials & Techniques
laid paper
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Date
1783
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Width [cm]
45
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1
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
2
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
3
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783